I wasn't expecting to enjoy the show as much as I did.
It broke new ground for what kind of performance it was. Not an on-stage musical. Not a movie with scenes filmed days, weeks, months apart from each other. Not a TV representation of the musical.
It was very clever with indoor/outdoor transitions. Walls that broke to go inside rooms. Split screens with actors in different sets.
The producers/director took advantage of the best of all the genres of previous versions and mixed in new, exciting elements that could/should have only happened on TV.
I have a few reservations about all these "live" events, especially the ones shown on NBC.
What makes it special, important, exciting to have these shows air "live?"
Outside of the "will they go up on lines", or a light fall, or the music fail, there really isn't anything special about a live performance. It's more a question of how well the producers were prepared to have all those umbrellas ready although I would have chosen see-through plastic to make them slightly less obtrusive.
However, I was quite impressed, and wonder how, they switched the Greased Lightning car from battered to cherry red to battered again. it was well-done and made for a "oh wow, this is live and they changed the car" moment. It's a magic trick that I thought was done with a pre-recorded snippet. That is the sort of element that because the show was "live" made it exciting.
Random thoughts:
Danny, Sandy, and most of the other greasers looked way, way, WAY too old. But they did such a good job I quickly forgot.
Why change Sandy's name? It was cute to have it be "Young" from Salt Lake. But part of the thing in the original was having a Polish girl dating an Italian boy. And it lost the Sandra Dee joke. (Does anyone know who Sandra Dee is?)
The extras added a lot of energy to scenes that would have been very sparse. But they were a bit distracting in others, such as the burger joint.
Julia Hough is the prettiest Sandy I have ever seen.
Aaron Tveit is the prettiest Danny I have ever seen.
Dialog scenes in the Principals office lagged. They needed quicker pacing.
Bravos for the "diversity" casting. It wasn't that way back in 1959, and the original stage production didn't do it, but I DON'T CARE!!! BRAVO!!!
I am a die-hard purest for the original stage production, which holds a very special place in my memories. (Shout out to Adrienne Barbeau.) This wasn't the same. But it was great!