"Quiet Uptown." Not for me. I agree with John Adams and the other poster. I've listened to it three times, but just feel it's lacking what the song does so expertly in the show. Even on the recording, away from the story. Goldsberry's vocals are so unadorned, so unembellished, the lyric and (for my money) the show's at least second most haunting melody make the case. Clarkson's rendition -- mixing in odd shifting points of view -- is characterized by the singer taking over for the song, the voice and the pop stylings drawing undue attention. This is one of the most perfect expressions of grief ever written for the musical theater. It's admittedly a challenge to approximate its impact out of context. Yet giving it the post-Idol treatment diminishes the song's elegance and adds a layer of sentimentality. It feels self-indulgent; less is just more here.
Clarkson is a powerful singer. I wish she'd trusted the song and her own voice. It feels over thought and over sung. It's the one song on the mixtape that loses the most, in my opinion. To be fair, I'm not sold on its success out of the story. Maybe I'll change my mind. Just my 1.5 cents.
"I'm a comedian, but in my spare time, things bother me." Garry Shandling
Updated On: 11/5/16 at 07:33 PM