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#27

If I Had A Broadway Time Machine… April-May 1966

WILDCAT.....Since I am a big fan of Lucille Ball and I love the cast recording. The score has bright, bouncy songs and a great overture. The cast recording was nominated for the Grammy Award as Best Cast Show Album and it spent 26 weeks on the Billboard Chart for Best Selling Albums, peaking at #6.

Updated On: 7/13/26 at 06:28 AM

#28

If I Had A Broadway Time Machine… April-May 1966

Tenor8674 said: "The one R&H I have yet to see, ME AND JULIET. It pretty much doesn't get done."

I love R&H so much, but the book and score to this show leave me cold. I enjoyed the post about it launching the career of Shirley MacLaine, however. (I would have guessed that Shirley was the gal on the bottom left, not top right, in the attached photo.)

I'd like to go back to 1948 and 49 to see the original productions of Kiss Me, Kate, A Streetcar Named Desire, South Pacific and Death of a Salesman. I wonder if people knew how good they had it then. (Streetcar is the only one of those shows that I haven't seen a worthy revival of; at least it got the best movie adaptation.)

Updated On: 7/13/26 at 08:04 AM

#29

If I Had A Broadway Time Machine… April-May 1966

I have a copy of the libretto and it's very dull. Someone years back posted a YouTube video of a high school production early 80s of ME AND JULIET too. Too bad Encores never got around to it, but Viertel supposedly hated the show.

Updated On: 7/13/26 at 08:47 AM

#30

If I Had A Broadway Time Machine… April-May 1966

The closing night of CARRIE - to hear Betty Buckley sing that score!

And to be very basic, I'd go back to the night Liza was announced as a temporary replacement in CHICAGO.

I'm a huge lover of HELLO, DOLLY so I'd love to see Carol Channing during her height in the show.


"Charlotte, we're Jewish"
#33

If I Had A Broadway Time Machine… April-May 1966

Laurette Taylor in "The Glass Menagerie."

I want to experience THE singular performance the legends in "Broadway: The Golden Age" were so inspired and moved by.


"I'm seeing the LuPone in Key West later this week. I'm hoping for great vocals and some sort of insane breakdown..." - BenjaminNicholas2
#34

If I Had A Broadway Time Machine… April-May 1966

Plannietink08 said: "The closing night of CARRIE - to hear Betty Buckley sing that score!

And to be very basic, I'd go back to the night Liza was announced as a temporary replacement in CHICAGO.

I'm a huge lover of HELLO, DOLLY so I'd love to see Carol Channing during her height in the show.
"

I feel like every Broadway gay of a certain age was at Liza's first night in CHICAGO, the way they all have the same story.




"Hey little girls, look at all the men in shiny shirts and no wives!" - Jackie Hoffman, Xanadu, 19 Feb 2008
#36

If I Had A Broadway Time Machine… April-May 1966

everythingtaboo said: "Plannietink08 said: "The closing night of CARRIE - to hear Betty Buckley sing that score!

And to be very basic, I'd go back to the night Liza was announced as a temporary replacement in CHICAGO.

I'm a huge lover of HELLO, DOLLY so I'd love to see Carol Channing during her height in the show.
"

I feel like every Broadway gay of a certain age was at Liza's first night in CHICAGO, the way they all have the same story.
"

Linzi Hateley has a funny quip where she says “if as many people saw Carrie that claim to have seen Carrie, we’d still be open”


"Charlotte, we're Jewish"
#37

If I Had A Broadway Time Machine… April-May 1966

Plannietink08 said: "everythingtaboo said: "Plannietink08 said: "The closing night of CARRIE - to hear Betty Buckley sing that score!

And to be very basic, I'd go back to the night Liza was announced as a temporary replacement in CHICAGO.

I'm a huge lover of HELLO, DOLLY so I'd love to see Carol Channing during her height in the show.
"

I feel like every Broadway gay of a certain age was at Liza's first night in CHICAGO, the way they all have the same story.
"

Linzi Hateley has a funny quip where she says “if as many people saw Carrie that claim to have seen Carrie, we’d still be open”
"

She “stole” that line from Stephen Sondheim and Lee Remick, who while presenting a Tony award together in the late 1980s said the same thing about Anyone Can Whistle.

I did not see Liza’s opening performance, but she was sensational in Chicago. Over time, however, I’ve come to regret not seeing the show with Gwen Verdon, who I would never get the chance to see again.

Updated On: 7/15/26 at 06:01 AM

#38

If I Had A Broadway Time Machine… April-May 1966

Another vote for Follies. Everything I've heard, seen, and read about the production makes it sound extraordinary.



And I have to say--one of the surprisingly lovely things about aging is getting to look through a thread like this and remember how lucky I am to have seen some of these shows! The OBC of Ragtime and Elaine Paige in Sunset Boulevard, I was lucky enough to be there for. I may be getting old, but I got to see Audra's Sarah! :)

#39

If I Had A Broadway Time Machine… April-May 1966

Sauja said: "Another vote for Follies. Everything I've heard, seen, and read about the production makes it sound extraordinary.



And I have to say--one of the surprisingly lovely things about aging is getting to look through a thread like this and remember how lucky I am to have seen some of these shows! The OBC of Ragtime andElaine Paige in Sunset Boulevard, I was lucky enough to be there for. I may be getting old, but I got to see Audra's Sarah! :)
"

I am apparently older: I saw Follies twice at the Winter Garden, and you could not have chosen better..

#40

If I Had A Broadway Time Machine… April-May 1966

Would love to experience the OG Sweeney Todd cast and production at the then-Uris. I guess the tour recording is fairly close, but the full live experience would be even better.



On the topic of getting older -- I always start to feel elderly when something I saw the original cast of gets revived. Miss Saigon was the first time with Falsettos close behind, but it's beginning to happen with more frequency now with Sunset Blvd. and Ragtime -- and Other Desert Cities coming up. (Admittedly, ODC is fairly recent, but still.) I guess this happens to everyone who's lucky enough to have some longevity in theatergoing.


Just remembering you've had an "and" When you're back to "or" Makes the "or" mean more than it did before

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