theater_tech said: "Eliminating/reducing “The Private and Intimate Life of the House” and “Natasha & Bolkonskys” in Great Comet. I’ve pondered and observed EVERY aspect of the show yet still can’t wrap my head on the importance of these two songs, especially the former. Maybe someone can help me out."
I don't love those songs myself, and some things about them perplex me too. IMO they don't seem to provide a great lead-in to 'No One Else'; a nasty encounter with a fiance's off-putting family wouldn't lead directly into starry-eyed rhapsodies about the fiance, or not for me anyway. I've only heard the albums, not seen the show, so maybe it makes more sense in context.
But if it helps, I also interpret those songs to be about the limited options for women in that time and place. If a woman was too free and expressive about her sexuality, she would be ruined; but if she was too careful and dutiful, like Mary, life would pass her by, leaving her lonely and 'boring'. Natasha doesn't make the wisest choices in the show, but these songs help a little to show that she is somewhat caught between a rock and a hard place.
(Of course, the songs are also meant to set up that brief later parallel between Bolkonsky Snr and Andrey, when the latter gets vindictive about Natasha during 'Pierre & Andrey'.)
Regarding other shows: I'd change the ending of 'My Fair Lady'.