Irving Berlin's WHITE CHRITMAS Reviews

[LimelightMike]

Posted: 11/23/08 at 5:07pm

Post 'em here!

[theatreguy]

Posted: 11/23/08 at 7:47pm

AP is out.
Bland 'White Christmas' dilutes its holiday cheer

[HBBrock]

Posted: 11/23/08 at 9:41pm

I'd expect a lot of mixed-negative reviews on this one. Luckily for them - the tourists won't care, and many have already bought tickets.

[SingingCats]

Posted: 11/23/08 at 9:43pm

Variety:

http://www.variety.com/review/VE1117939096.html?categoryid=33&cs=1

"More seasonal confection than full-bodied musical theater, it coasts along on the strength of its melodious numbers and sparkling visuals, which should suffice to keep the tourist trade happy."

[SingingCats]

Posted: 11/23/08 at 9:43pm

Variety:

http://www.variety.com/review/VE1117939096.html?categoryid=33&cs=1

"More seasonal confection than full-bodied musical theater, it coasts along on the strength of its melodious numbers and sparkling visuals, which should suffice to keep the tourist trade happy."

[miss pennywise]

Posted: 11/23/08 at 9:47pm

And I didn't buy tickets because the best, non-premium seats are $140 a pop (before fees)!

[BustopherPhantom]

Posted: 11/23/08 at 9:51pm

The Associated Press is Negative:

'Using old songs in new musicals has been around for quite a while. George and Ira Gershwin classics supplied much of the fun in such shows as "My One and Only" in the early '80s and in "Crazy for You" a decade later. Four years ago, Jerome Kern melodies were used less successfully in "Never Gonna Dance."

Berlin's tunes are joyous creations, but the musical pleasures here exist in isolated moments, not as part of a dizzy, satisfying theatrical whole. You can tell the show has been cobbled together by committee and not exactly from the heart.'


Variety is Mixed:

'There hasn't been this much tap-dancing on a Broadway stage since "42nd Street." Yet despite its relentless effervescence, "Irving Berlin's White Christmas" is most alive in its gentler, more melancholy moments -- few as there are. Arriving in New York after multiple regional stops in the past four seasons, and aiming to establish itself as an annual holiday engagement, this somewhat mechanical show feels like a road production staffed with mostly second-tier talent. More seasonal confection than full-bodied musical theater, it coasts along on the strength of its melodious numbers and sparkling visuals, which should suffice to keep the tourist trade happy.'

[BustopherPhantom]

Posted: 11/23/08 at 9:54pm

AM New York gives the show 3 Stars out of 4:

'As far as holiday entertainment goes, “Irving Berlin’s White Christmas” easily wins our vote for the most professional and crowd-pleasing show in an overstuffed genre that includes “The Radio City Christmas Spectacular,” “Wintuk,” “A Christmas Carol,” “The Nutcracker” and “How the Grinch Stole Christmas.”

Based on the 1954 movie musical with Bing Crosby, Rosemary Clooney and Danny Kaye, “White Christmas” has received numerous regional productions over the past four years. Though it is only playing Broadway for two months, it might very well become an annual tradition.'

http://weblogs.amny.com/entertainment/stage/blog/2008/11/theater_review_of_white_christ.html

[Trish2]

Posted: 11/23/08 at 9:57pm

I gotta go along with Variety on this one. They hit the nail on the head, especially in regards to the unimaginative choreography.

[Neverandy]

Posted: 11/23/08 at 9:58pm

Variety didn't pull any punches. Especially with the kid.

[BustopherPhantom]

Posted: 11/23/08 at 10:08pm

Talkin' Broadway is Mixed-to-Positive:

'Criticizing director Walter Bobbie and librettists David Ives and Paul Blake, who have adapted Norman Krasna, Norman Panama, and Melvin Frank’s screenplay, for not fashioning even a barely integrated evening of the kind Rodgers and Hammerstein favored is thus beside the point: They weren’t trying to. So if your idea of musical-theatre fun is logical dramatic construction, complex characters, and songs and dances deriving from something other than thin November air, you’re better off spending your time and money at the infinitely more nuanced Grease or Spamalot.

But if you’re capable of viewing this as just another limited-run seasonal spectacle à la Cirque du Soleil’s Wintuk or the Radio City Christmas Spectacular, you’ll probably be able to coerce yourself and your family into having a decent time. It may be black-ice slick, but it judiciously compensates for much of what it so severely lacks with suitably old-fashioned components that only the grinchiest scrooge will be able to resist.'

http://www.talkinbroadway.com/world/WChristmas.html

[TulitaPepsi]

Posted: 11/23/08 at 10:10pm

Murray is much more pro than con. He even likes the kid!

[BustopherPhantom]

Posted: 11/23/08 at 10:23pm

The New York Times (with Charles Isherwood reviewing) is Very Negative:

'The Broadway veteran Mr. Bogardus is a sensitive singer with a light, clear voice nicely suited to the crystalline charms of Berlin’s lyrics. He leads the Act I tap finale, “Blue Skies,” and makes fine use of a solo spot on the sublime “How Deep Is the Ocean.” That number, paired with Ms. O’Malley’s torchy “Love, You Didn’t Do Right by Me” in a scene set at a New York nightclub, is the evening’s vocal highlight.

Mr. Denman, lanky and lithe, dances with sleek facility in the airborne Astaire style. He opens the second act leading a buoyant production number set to “I Love a Piano.” (The colorful, spangly sets are by Anna Louizos.) With less to do, Ms. Patterson is, well, there. And blond.

But the leading roles are really just place holders for star personalities, and none of the principals brings much in the way of wattage to their assignments. The romantic heat generated by both couples put together wouldn’t melt a snowflake.

The book, by David Ives, the serial adapter of the revivals in the Encores! series, and Paul Blake, is equal parts corn and syrup. Much of the wheezy humor is handled by Susan Mansur as Martha Watson, the ex-general’s wisecracky, lovable aide-de-camp at the inn. In exasperated mode Ms. Mansur tosses off such witticisms as “You can shove it up your vacuum cleaner and turn it on high.” Fear of sugar shock precludes me from describing some of the cloying business entrusted to the able young Melody Hollis, who plays the general’s showbiz-smitten granddaughter.'

http://theater2.nytimes.com/2008/11/24/theater/reviews/24whit.html

Updated On: 11/23/08 at 10:23 PM

[FindingNamo]

Posted: 11/23/08 at 10:26pm

That makes no sense. Necco wafers were from Halloween. A moldy orange would be found in a mothballed (which makes no sense because they aren't woolen) Christmas stocking.

[kooky]

Posted: 11/23/08 at 10:49pm

Just got back from the opening ......
FLUFF - - - but I still thought it was delightful!

[Here_I_Go_Again]

Posted: 11/23/08 at 11:24pm

also just got back, FAB cast but the show is clearly flawed!!!

[obsessedjb]

Posted: 11/23/08 at 11:37pm

I too was there tonight and, like kooky said, it was total fluff but I enjoyed it.

[BustopherPhantom]

Posted: 11/23/08 at 11:38pm

USA Today gives the show 2 1/2 Stars out of 4:

'Based on the beloved 1954 film about a pair of World War II buddies and song-and-dance men who romance a sister act at their former general's struggling inn, the show made its debut in San Francisco in 2004. Its seasonal sales potential is as obvious as the nose on Rudolph's face.

It's not just the comfortingly familiar score, to which several Berlin classics not featured in the movie have been added, among them I Love a Piano and How Deep Is the Ocean. Adapting the screenplay, David Ives and Paul Blake have left no sentimental stone unturned. The emphasis on love — between guys and dolls, but also of family and country — and honor in this tale of life after war would make any Hallmark greeting seem dry.

The general even has an angelic granddaughter, played with extra syrup by Melody Hollis, who prays on the front porch when she isn't mugging.'

http://www.usatoday.com/life/theater/reviews/2008-11-23-white-christmas_N.htm

[BustopherPhantom]

Posted: 11/23/08 at 11:41pm

REVIEW ROUNDUP

Philadelphia Inquirer
Rave

Wall Street Journal
Very Positive

AM New York
Daily News
NY1
Positive

John Simon
Mixed-to-Positive

Newsday
USA Today
Variety
Mixed

Bergen Record
New York Post
Mixed-to-Negative

Associated Press
Time Out New York
Negative

New York Times
Very Negative

Journal News
Pan

Updated On: 11/30/08 at 11:41 PM

[jacobtsf]

Posted: 11/23/08 at 11:49pm

HOLD ON! Matthew Murray gave a somewhat positive review??????

The man who is known for not liking any theatre at all, somewhat liked a show???

Ok, best to avoid this one.

[Wanna Be A Foster]

Posted: 11/23/08 at 11:53pm

I'd call Isherwood's review Mixed-Negative.

[Mildred Plotka]

Posted: 11/23/08 at 11:55pm

Yep. I can't trust any critic who raved about the recent Threepenny revival but has disliked anything since.

[BustopherPhantom]

Posted: 11/24/08 at 12:59am

John Simon is Mixed-to-Positive:

'You might think that great songs can salvage anything, but many of the songs here are lesser Berlin. Still, there are those marvelously evocative Louizos sets and dazzlingly outrageous Robbins costumes for us to feast on. And Skinner’s clever dances, which, with far more limited personnel, still manage to lustily evoke the grandeur of Busby Berkeley and glory of Hermes Pan.

Walter Bobbie’s staging, like Ken Billington’s lighting, also suits the material. Whenever the plot is not excessively in evidence, “Irving Berlin’s White Christmas” makes for a bright evening.'

http://www.bloomberg.com/apps/news?pid=20601098&sid=agnYE3J4XX98&refer=movie

[Mildred Plotka]

Posted: 11/24/08 at 1:01am

Oh, John Simon! I'd hardly call "White Christmas", "Blue Skies", "Count Your Bleesings", and "Sisters" lesser-Berlin.

[TulitaPepsi]

Posted: 11/24/08 at 6:27am

Jacobtsf: I've disagreed plenty with Murray. Yet he raved over two of my favorite shows of the past few seasons, YANK! and PASSING STRANGE.

And I've agreed with Isherwood in the past. But not this time.