Who wrote this? (I ran across it when looking to see what people thought of Hamilton in its early days.)
It needs a lot of cutting. The book drags on with too much narrative, and too much of little interest. It's heartfelt, polished, and has some effective moments . The rapping offers some clever bits, but it's more often than not fatiguing. The music is listenable but unmemorable. Lots of movement and dance try to inject some liveliness into the proceedings, but can't prevent interest from flagging over the course of a three hour historical biography that really doesn't cry out for musicalization.
Ben Franklin in Paris was far more enjoyable.
The cast was fine. Brian d'Arcy James scored many needed laughs in his brief moments on stage.
It's After Eight, who apparently saw the show in previews at the Public back in January 2015. This is hardly a rave review, but it's strikingly balanced. "It's heartfelt, polished, and has some effective moments"? Praise for the cast? Some clever rapping? I hardly recognized this reaction, a thoughtful pan of a show in pre-Broadway previews, compared to the venom spit about it on multiple threads after it became a runaway hit.
As for the OP's original question, I agree with everyone who says this show might not be for him, and certainly not worth paying a premium to see. There are many things to do to gain more appreciation for the show's virtues, and I'm admittedly a big admirer, but not everyone wants to do all that much work to prepare for a night at the theater.
I do think, based on many comments from others, that Hamilton can be an acquired taste. It doesn't grab many people on first listen. Some of those people never change their minds. Others became huge fans. It's a matter of taste and personal opinion.
As for me, I do think that while the score is the show, the experience is definitely enhanced in person. There's just a lot happening, and certain songs - "Satisfied" is an obvious example - really stand out in the theater. Other songs that don't seem like anything special work very well in the context of the show, with the lighting, the choreography, the performances.
But if you don't like the score, at all, you're probably not going to like the musical.
Updated On: 9/10/16 at 08:42 PM