witchoftheeast2 said: "inception said: "What is the potential for this to extend again into the Fall? Is there anything else that wants the Booth?"
I think they would have already announced an extension by now. I'm sure another show wants the theater."
I don't know if I agree with that. I think they will be looking to see how this show does without Sadie in it. If the play itself manages to capture a sustainable audience, I could see them wanting to go through fall. Who knows where they are at in terms of recouping, but I know their average ticket prices was on the low end for a while--they seem to be playing a long game. I also think fall presents additional opportunities for student performances and school tie-ins which they seems to be leaning into.
EDSOSLO858 said: "witchoftheeast2 said: "inception said: "What is the potential for this to extend again into the Fall? Is there anything else that wants the Booth?"
I think they would have already announced an extension by now. I'm sure another show wants the theater."
Yep, the rumor is TWO STRANGERS right on timefor the holiday season."
“Little Bear Ridge Road” is taking The Booth in October.
Apologies if this has been asked before, but how are the "Limited View" seats in the side orchestra? Deciding between those $79 seats and the ones in the mezzanine. Thank you!
cglaid said: "Apologies if this has been asked before, but how are the "Limited View" seats in the side orchestra? Deciding between those $79 seats and the ones in the mezzanine. Thank you!"
I saw this show 3 times, once from H16 seat that's marked a partial view. Nothing was missed, except a couple of moments you look at actors backs when they walk into the classroom.
Was at the closing last night, my third time seeing the show. Clearly this production meant a lot to me and I feel so lucky to have been able to experience it. Brought a group of friends who hadn't seen it yet and they were all blown away. Performances were fantastic and I have to say the audience was enthusiastic but incredibly respectful.
Kimberly Belflower and Danya Taymor joined the performers onstage after the bows. Belflower gave a short but emotional speech talking about the importance of taking teenage girls seriously, and about carving out a space for them and for southerners on broadway stages. Taymor then led the cast and audience in a quick breathing exercise: one deep breath in followed by one big breath out, one deep breath in followed by a long and primal scream the top of everyone's lungs.
