The role of Roxie Hart was most certainly not written for Gwen. The role already existed in the play "Chicago" written by Dallas Watkins and the movie "Roxie Hart" starring Ginger Rogers. The role was just adapted for her for the 1975 musical version directed by Fosse.
Yes, Roxie was written for Gwen. Yes, there is mention of her age in the monologue. But she was a little old. She was great though. Danced the hell out of the part.
It's sad that Jennifer Holliday is now stuck in a rut and the only thing she'll ever be remembered for is DREAMGIRLS. She's the equivalent of a circus act now. You pull her out of moth balls every couple of years to take a look at her and when you get sick of her you put her back on the shelf. Truly, truly sad.
Yes, Roxie was written for Gwen....
Do you read?
The role was N-O-T written for Gwen Verdon.
The role of Roxie Hart was most certainly not written for Gwen. The role already existed in the play "Chicago" written by Dallas Watkins and the movie "Roxie Hart" starring Ginger Rogers. The role was just adapted for her for the 1975 musical version directed by Fosse.
- Correction. The WHOLE musical production of Chicago was written for Gwen. Verdon continuously bugged Fosse to turn Chicago into a musical, she wanted to play Roxie for years and years. And Fosse finally got the rights when Maurine Watkins died. You have to realize Gwen was an icon back then. Both original productions of SWEET CHARITY and CHICAGO were created just for her, and were tailored around her talents and persona.
Updated On: 2/20/07 at 09:46 PM
"- Correction. The WHOLE musical production of Chicago was written for Gwen. Verdon continuously bugged Fosse to turn Chicago into a musical, she wanted to play Roxie for years and years. And Fosse finally got the rights when Maurine Watkins died."
You're mostly right. Watkins left the rights to Verdon, not Fosse. Verdon then got Fosse on board and the rest is history.
The SONGS were written for Gwen. The MONOLOGUE AND DIALOUGE were for Gwen. The DANCING was for Gwen. The WHOLE DAMNED SHOW was written as for Gwen and as a divorce (though they never did) present for Gwen. It was indeed written for Gwen Verdon. Sorry.
This is from Wikipedia.. it's the story I've heard time and time over again.
Gwen Verdon read the play and asked her husband Bob Fosse about the possibility of creating a musical based on it. Bob Fosse approached Watkins multiple times to ask her permission to adapt the play as a musical, but was rejected in each instance. Upon her death in 1969, however, Watkins explicitly stated that the rights to Chicago were to be transferred to Verdon and Fosse.
It seems to me Watkins left the rights for both Verdon and Fosse. I know Fosse tried to get the rights for a very long time.
Whatever the story is, the musical was specifically created for Verdon. What a special lady.
Yes, THE MUSICAL was written for Gwen.
Read: ADAPTED.
A character that already existed can't be CREATED for someone.
Again: The role of Roxie Hart was NOT created for Gwen Verdon.
Actually, per Gwen herself on a video on this site, they were given to Gwen herself. She asked Fosse to direct (or it was assumed he would).
Wow, I've had to correct my typing all night. I guess I need sleep.
Updated On: 2/20/07 at 10:00 PM
ljay, as you said, Verdon and Fosse had notoriously both been after the rights from Watkins, but Watkins specifically said in her will, "All roads lead to Verdon."
She went on to say that if anyone was to do the show it had to be with Gwen, which leads me to believe that, while it was only logical to assume Fosse was to be involved, it legally could have been done without him.
There is a video interview with Verdon where she talks about the situation in length (as well as several other things.) I'll let you know where it is if I find it. It's quite an interesting piece!
Broadway Star Joined: 8/12/06
Flaunt It's description of JH's performance made me want to see it. That's sounds like one of those train wreck you can't look away from...so bad it's good type thing.
As for Holiday performing on the red carpet, you don't suppose they'd be tacky enough to have her sing it while Hudson is walking up the red carpet, would they? They really need to let Hudson have her moment too, I doubt Holiday would have appreciated it if the tables were turned and someone was pulling something like this on her.
desperate.com....this is awful. No matter what she says about her support for Hudson I do not belive this. "What About What I Want?" The song family could have been written for her.
Hay.........
Two words,
MOVE ON!
Broadway Legend Joined: 2/15/05
Hell yeah! I'm going to see this. I'm only 2 hrs from ATL. I hope some other "big" names are attached. I'm excited for this. Either way, if she's a trainwreck or stunning, I'll be entertained. The last show I saw in ATL at the Fox was Brooklyn, so I have no doubt this will at least ecllipse that.
Broadway Legend Joined: 1/3/05
Oh I might have to see this just because of the legend she was.
Jennifer Holliday is too old to go back to Effie again, but I'm sure she'll be fabulous as she was the first time. There is no other Effie for me. I'm sorry to disagree with everyone, but there is no other Roxie Hart than Ann Reinking!!!!
Leading Actor Joined: 1/22/07
this is so sad.
i hear she is a monster.
awful to work with.
like the betty buckley level of awful and i think you all know how bad that is.
it's just sad. that being said i am going to try to help a sister out.
"jennifer holiday?
listen up sweetie.
you are so very talented. a broadway legend. you have achieved something that thousands of people only dream of.
be happy jennifer.
don't live in the past. why go there?
let's find something new and appropriate and move forward together.
you are not jennifer hudson.
you didn't get to make the movie.
you are not nominated for an oscar.
you need to get a grip.
put the ally mcbeal dvd's back on the shelf,
put the box of entenmann's down and call your agent.
find some new work.
some new age appropriate work and move on.
for all of our sakes.
good luck and god bless."
Broadway Legend Joined: 11/2/05
Despite everything said in this thread, the fact is, when she does 'that number,' the crowd is going to go INSANE. So, while others sit and ruminate on what she should or should not be doing with her life, she'll be getting screaming ovations once again - and that IS her only goal.
Enjoy it dear, while it lasts.
this thread is so funny
"you're lyin', you'r lyin' I've never been so YOUNG!"
Broadway Legend Joined: 5/11/06
I just might go to see this. I am not a big Dreamgirls fan, nor am I a Jennifer Holliday fan, but this is a great oppurtunity to see her in the role...no matter how horrible.
I didn't see this many people complain about Carol Channing in Dolly or Tom Bosley in Fiorello!.
It's sad that she "sings" The Song now with such ridiculous affectations. It is nowhere near the thriller it used to be when she just SAAAAANG it.
When Ethel Merman starred in the revival of "Annie Get Your Gun," the critics called it "Granny Get Your Gun."
Maybe they should call this Holliday installment:
Dreamwomen
Goldengirls
Deena Jones and the Depends
I'm hoping the rest of their season will be rounded out by Andrea McArdle starring once again in the title role of Annie.
And Daisy Egan recreating her Tony-winner in The Secret Garden.
And for the season finale/gala performance, Patty Duke as Helen Keller in THE MIRACLE WORKER.
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