BroadwayRox3588 said: "I want to make this very clear. I do not blame Kolton one little bit for wanting to forego bows for their safety. The fact that transphobia is so rampant in this country makes the fact that they feel they have to take this step (which I believe is a proactive one) is heartbreaking on multiple levels.
That being said, I do not believe that Kolton has been being booed during bows. This is not because of some sort of personal vendetta, or wanting to victim blame, or anything like that. I have heard not one single iota of reporting (outside of the claim from them) of any kind of boos at this show directed at one performer. And given that there are multiple places on the internet that basically serve as Broadway's version of the Ring App (most notably, Broadway sub-Reddit and The Sweaty Nutsack), I think the fact that there haven't been any reports of this is significant. Furthermore, as has been stated by other posters in this thread, Kolton does not reveal their pronouns in their bio – and not just for this show, but for any of their Broadway shows. So taking what I know about the situation, this is me using critical thinking to draw a conclusion based on known factors.
I think Kolton is trying to protect themselves, in the event that something DOES happen. What if someone DOES jump the stage during bows (when performers are most exposed)? What if someone DOES seek them out? That's what I think is happening here. For whatever reason (which, to be clear, is none of any of our business), I think they are disguising a proactive decision as a reactive decision. And it's very likely because this is, they feel, the safest way to go about it. Or at least one would hope that's the reason, as opposed to a Jussie Smollett type of situation (where he just wanted attention).Either way, regardless of the reasoning behind the decision, I think we can all agree that safety is the most important thing.
And obviously we all wish this discussion was not a necessary one to be had, in this context. But unfortunately that is not the world in which we currently live."
On the one hand, I do not walk in Kolton's shoes, and I absolutely believe they should do whatever feels right to them.
On the other hand, the show is running in the middle of super-blue New York City, not Cheyenne, Wyoming. Unless Colton has received threats, I really think they may want to speak with a counselor, to get to the bottom of this concern. I would imagine participation in a curtain call must be an exhilarating way to end a performance's work, and that missing it must be frustrating.