#1
Posted: 7/16/07 at 10:35pm
Got my copy in the mail Saturday from Ghostlight. Here goes:
THE BAD:
-The orchestrations. Christopher Jahnke, there are instruments other than the electric guitar. The 'marching band' section of "What You Want" could have particularly used some more punch. Where is Stephen Oremus when you need him? Though very smiliar, I liked the charts on the demo better.
-The sound mixing. In general, it's good, but when there's overlapping vocal lines, everything gets muddled together. I would have liked for key lines to be brought out some. The best example is Orfeh's riffing at the end of "Bend and Snap." I had to bring the bass all the way down and the treble all the way up to make out what she's doing (more on that later).
THE OK:
-Laura Bell Bundy: There's a reason she got this part and I'm not denying the way she fits the character. But I just wish her upper register was stronger. Most noticeably in "Legally Blonde" (where the orchestrations are softer), all of her high notes seem a little strained, whether fortissimo or piano. It might just be her co-stars in this cast, but I look forward to seeing a replacement with a stronger belt. (I think she sounded stronger on the demo, to be honest.)
-The score: It's really, really fun. Especially for driving and singing along too. I'm really glad I have this in time for my road-trip next weekend. But at the same time, nothing about it really grabs me and says "I'm terrific!" like previous cast albums have. My favorite song is not one of the show-stoppers, but "Ireland." For the money, the best music and lyric in the show.
THE GOOD:
-The cast. Michael Rupert, a welcome treat back on Broadway. He gets the weakest material in the show and really makes in fun and enjoyable--a consummate professional. Christian Borle, I really hope good things continue to happen to this guy--he's such a talented and honest performer. Orfeh and the rest of the female ensemble--some crazy fun performances and some crazy fun riffing going on here. At times, they upstage Ms. Bundy with the vocal pyrotechnics, but what can you do?
-The packaging. Once again, Ghostlight has done an admirable job with pictures, full credits, synopsis, and lyrics. If only they did all cast recordings...
ZANNA in Chicago!
THE BAD:
-The orchestrations. Christopher Jahnke, there are instruments other than the electric guitar. The 'marching band' section of "What You Want" could have particularly used some more punch. Where is Stephen Oremus when you need him? Though very smiliar, I liked the charts on the demo better.
-The sound mixing. In general, it's good, but when there's overlapping vocal lines, everything gets muddled together. I would have liked for key lines to be brought out some. The best example is Orfeh's riffing at the end of "Bend and Snap." I had to bring the bass all the way down and the treble all the way up to make out what she's doing (more on that later).
THE OK:
-Laura Bell Bundy: There's a reason she got this part and I'm not denying the way she fits the character. But I just wish her upper register was stronger. Most noticeably in "Legally Blonde" (where the orchestrations are softer), all of her high notes seem a little strained, whether fortissimo or piano. It might just be her co-stars in this cast, but I look forward to seeing a replacement with a stronger belt. (I think she sounded stronger on the demo, to be honest.)
-The score: It's really, really fun. Especially for driving and singing along too. I'm really glad I have this in time for my road-trip next weekend. But at the same time, nothing about it really grabs me and says "I'm terrific!" like previous cast albums have. My favorite song is not one of the show-stoppers, but "Ireland." For the money, the best music and lyric in the show.
THE GOOD:
-The cast. Michael Rupert, a welcome treat back on Broadway. He gets the weakest material in the show and really makes in fun and enjoyable--a consummate professional. Christian Borle, I really hope good things continue to happen to this guy--he's such a talented and honest performer. Orfeh and the rest of the female ensemble--some crazy fun performances and some crazy fun riffing going on here. At times, they upstage Ms. Bundy with the vocal pyrotechnics, but what can you do?
-The packaging. Once again, Ghostlight has done an admirable job with pictures, full credits, synopsis, and lyrics. If only they did all cast recordings...
ZANNA in Chicago!
...this bird is singing.