Ok. It wasn't last week. THIS (2/11-2/17) is the week Les Mis finally passes Mamma Mia for US domestic gross. As of 2/11/13, per Box Office Mojo, Les Mis is about $150,000 shy. But, it lost another 50% off of its weekly take. Still, excellent numbers and a hit.
It could have been with a brilliantly singing cast. And by that I mean better acted because of the ability to act through song.
I am not getting into this whole issue again, but my point here is that from now on, now the whole initial hype is over, it comes down to this; Do people want to see it again, do your children (who have never heard of Russel Crowe) appreciate the performances too, etc, etc.
I will not buy the dvd/blu ray and will not show it to my family because some of the performances are just not good enough. These things will keep a film going forever or prevent that.
The product stands on its own now, for hundreds and thousands of years to come.
And yet you still felt the need to post in this thread and try to undermine the fact that the movie is an unqualified success regardless of whether it became "the highest grossing movie musical of all time"...and nothing, even your feelings for or against the film can really change that fact now, can they?
I've watched it four times, Dave19. I think it features a few great performances and some interesting ideas, interpretations and additions. At the same time, I think it suffers from several flaws. Some of those flaws belong to the filmmakers, but IMO many were always going to be there no matter what because it simply is the film version of the musical Les Miserables. I love Les Miserables. I really really do. But it is not high art.
Carlos, my point is that only time will tell what will be "highest grossing of all time" and I mean including home video and re-releases. And that certain factors that were considered as "very important" by the filmmakers actually are not that important anymore now the film stands on it's own, and other aspects are now the make or break point in the "test of time".
Beadle, why do you think some of those flaws were always going to be there?
The things that are "flaws" to me were not in the musical. The performances of Valjeans I have seen on stage were much more film-like than the extremely theatrical (my name is Jean-Val.....Jeaaaaaaaaaaaan, way too long-excessive strained vibrato-taking me out of the story, while all the stage Valjeans I've seen kept this note short and realistic). Another example: Now come on ladies, settle....dooooooooooooown. I was in the story until the word ""settle". Long notes are wonderful and perfect, and every other Valjean I have seen manages to do every word just right. Mr Jackman deserves an award for making wrong choices on every note, wrong emphasis on the wrong word and holding the wrong notes for too long and vice versa.
About Javert, I can't remember that more than 50% of the audience's reactions on the Javerts were that negative. So that is also not a "thing of the concept".
With that said, there are a lot of things I love about the film, the orchestra, the locations, some performances, but after Fantine dies the film turns into this "black hole" because of the 2 mentioned above, and it only picks up again from the point where the students come in, after "Stars".
These factors might make the film not so successful over time. That's what I say.
Flaws that are inherent in the show will not block the success in any way in my opinion.