I think we're all forgetting something about this last reading. While yes, it was important to have stars there, it was really about testing this new material than it was characterization. Nobody was perfect in the reading...but I thought there were some good moments. I feel as if in a full production, Marin could really sing the sh!t out of Margaret White. Or actually, does Laura Linney sing? Even though she's in TSS and has much better things to do than Carrie Off-Broadway, I could see her being stunning.
Anyway, the point to me is this: is Carrie: The Musical perfect? Will it ever truly work in a realistic sense? Probably not. Why? I've said it once, I've said it again: it wasn't meant to be musicalized. But for the moments that are there, they are incredible. They're taking all the right precautions: they're re-working it and re-working it, and opening Off-Broadway. That's what I said they should do from the start. The risk is minimal if they start there.
Until something leaks, who knows what happened in this new version? I really do wish the best for Carrie, because honestly, I think it's great that we're really starting to go into some real higher risk productions now in a recession (Scottsboro Boys and Bloody Bloody had the potential to sink or swim...many were worried that Bloody Bloody would sink because it just didn't seem like 'Broadway material'), and it's important that we are revisiting some of this old material...even if it needs some fine tweaking.
The best to Carrie. I plan to be there opening night, sink or swim.
Recent Broadway and Off-Broadway:: Carrie, Merrily, Ionescopade
Next On The List :: Clybourne Park, Once, Streetcar, BOM