Most Mediocre Season (...in a long time)?

I think there's a lot of mediocre in every season, really...I feel like it's rare that we get a season that feels overwhelmingly rich. I think we've had quite a bit this season that's worth celebrating, although I haven't seen anywhere near everything. As far as what I've seen (and this is completely subjective, obviously), there's been a lot that has moved me and that I've, at the very least, thoroughly enjoyed. For me personally, I couldn't call a season that gave us the Globe double header, Fun Home, The Glass Menagerie, The Cripple of Inishmaan, Cabaret, Violet, Gentleman's Guide, and The Bridges of Madison County anywhere near mediocre. I walked away from each of those shows with something I didn't have coming in, and loved all of them for different reasons. I think it helps when there's at least one thing that you (and I don't mean you specifically, general you) feel super passionate about for whatever reason. I know I've felt underwhelmed by some things but this year there were a lot of shows that I really had a strong response to, whereas in other years there maybe haven't been as many and that perhaps diminished my opinion of the season as a whole.

Intelligently (and eloquently) stated, perfectlymarvelous.

I agree with your assessment in theory, but not so much in practice. I have seen each of the productions you cited, and though I enjoyed all (with the exception of "Bridges"...sorry) I just can't shake the fact that New York, a world capital for theater, offered a dearth of exceptional theater this season. Somehow, in my opinion, this was a season worse than any other I can think off (caveat...limiting this view to the last 5 to 10 years).

What particularly got to me was the situation off-broadway. "Fun Home" was very good (I wouldn't personally qualify as brilliant) but I felt that there was nothing truly innovative this season. Something akin (and I know this will be polarizing) to "Mr. Burns," "Detroit" or "Bellville."

Updated On: 5/16/14 at 11:34 PM

That's completely valid...perhaps our difference of opinion lies in the fact that I haven't gotten a chance to see much of what was off-Broadway this year. Since I'm a poor student I tend to see only what really interests me and there wasn't much besides Fun Home that I was dying to see (although maybe that in and of itself speaks to the quality of the season).

For me, the most innovative and interesting thing this year was The Glass Menagerie, even if purely on a personal/emotional level. I'd studied the play but never really "got" it until seeing that production, and I'm still thinking about it months later. I think theater is very intimate in that way...what utterly transforms one person may entirely not work for another. The fact that it's both a communal and very individual experience is part of what makes it so exciting as an art form.

It certainly has been the most mediocre season in terms of new plays in a long time. The play revivals and new musicals have been fairly strong though, and I think the Memphis/Addams Family/Million Dollar Quartet/American Idiot/Come Fly Away season was worse overall than this one.

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I think the Memphis/Addams Family/Million Dollar Quartet/American Idiot/Come Fly Away season was worse overall than this one.

That was such a dreadful season for new musicals.

I agree that this has been a very mediocre season, which is strange because going into it, I was truly excited about it. Looking back, really the only production I enjoyed as a whole was The Glass Menagerie (regretfully, I missed Fun Home)

Updated On: 5/17/14 at 12:17 AM

"Actually, haterobics, both Play Esq. and I mentioned the Rylance Shakespeare plays and Fun Home."

Sorry. I thought the central premise of the thread was so off-base, I didn't read it all that carefully.

"Less awful, but still bad were Act One and Realistic Joneses"

I saw Act One last night and was not really into it, but Shaloub's tonal and affect as the old Moss Hart sounded like he was channeling Rylance's Olivia. It made my time more enjoyable watching it, but it did seem very close to me?!

I think that while I really liked a lot of this season, the reason that we find it (myself included) so mediocre is that a lot of us were hyped for this to be the best season that New York had seen in 15 years. I mean we had:
A new Jason Robert Brown show (BOMC)
Tom Kitt and Brian Yorkey's follow up to one of the greatest musicals ever written starring a musical theatre legend (If/Then)
Disney's first show after rebounding from their awful streak with Newsies (Aladdin)
A musical adaptation of one of the best movies about New York ever headlined by the man who wrote the movie himself and directed by one of the most talented director-choreographer combos ever (Bullets)
An adaptation of one of the most beloved movies of all time that has constantly been on peoples' movies into musicals lists (Big Fish)
The supposedly new Jersey Boys about another legend of pop music (Beautiful)
A big splashy musical directed by one of the most innovative directors working in the theatre today written by some extremely talented people with a great source material coming off of rave reviews from Germany (Rocky)
An adaptation of one of the cornerstones of musical theatre literature written and directed by arguably the best bookwrighter of a musical ever.

Though a lot of people liked some or all of these shows (including myself) I will say that not a single one of them lived up to the expectations that we set at the beginning of the season, which is why it feels so underwhelming. At least we still have some incredible revivals this year (and every year) and, of course, A Gentleman's Guide to Love and Murder and Fun Home, but neither of those were nearly as hyped as a lot of the shows opening on Broadway this season.

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Off-Broadway did have a weaker year than usual, but there were some bright spots.

I thought Mr. Burns was the first play of Playwright's season, but I could be wrong. Either way, it was a great play.

Hand To God was awesome, but I realize that was kind of a transfer from a previous season.

City of Conversation was strong. Fun Home was excellent. The Apple Family plays in rep were pretty damn brilliant.

The Old Friends at Signature was a highlight of the fall.

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Burns was this season. My friend Sam Hill did the masks. He also did the golden head piece for Hedwig.

Updated On: 5/17/14 at 01:24 AM

I think it was a spectacular season. Re Off-Bwy, we had Fun Home, Natasha Pierre, Hand to God, Small Engine Repair, Here Lies Love, Heir Apparent, The Old Friends, Year of the Rooster, Watson Intelligence, Good Person Of Szechwan, the beautifully designed Midsummer Nt's Dream at TFANA, Doll's house, Lear, and Enemy of the People at BAM, The Open House, Satchmo, plus Violet and Little Me at Encores, Titanic at Alice Tully, Guys andDolls at Carnegie Hall. Every week there was something worth seeing. And then yes, all those great Bwy shows in the fall.