We needed Harvey onstage. The movies call for a subtler performance. Even if you watch the original movie, Divine was a pretty good film actor (as memory serves me). Harvey - in all the good ways and none of the bad - in this role would have been like Zero Mostel visa vis the "Fiddler" movie. Although it's a shame he didn't get the part, my memories of him onstage were just a little too big for the movie screen. (I'm being kind. I hear, toward the end, he was impossible onstage, much like Danny Kaye with the scenestealing, gnarling and trying to break the other actors up). Now Harvey would be a consumate actor and try to dial the role down and we all would have felt he'd been neutered, so perhaps it was a good idea to recast.
Travolta comes to any film with an impressive box of acting tools. I would not count him out until we have seen some extended scenes, not just static photos.
On another matter, the color pallette of this film is ABSOLUTELY authentic, sort of muted turquioses and browns and steel blues. As a kid, growing up in that period of frosted plexi-glass and formica, it really brings back memories.
When my folks down-sized after I moved out, they threw out all the ameoba-shaped coffee tables and stuff. Do you have any idea how much that stuff is worth in old furnature stores today? Who knew?
http://www.broadwayworld.com/board/readmessage.cfm?thread=972787#3631451
http://www.broadwayworld.com/board/readmessage.cfm?thread=963561#3533883
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http://www.broadwayworld.com/board/readmessage.cfm?thread=954269#3427915
http://www.broadwayworld.com/board/readmessage.cfm?thread=955012#3441622
http://www.broadwayworld.com/board/readmessage.cfm?thread=954344#3428699