Today is Wednesday, the 15th of April, which marks the official opening of Tom Kitt and Brian Yorkley's much-acclaimed, heavily-anticipated 'baby' NEXT TO NORMAL. After successful runs at Off-Broadawy's 2ST and Arena Stage, the Booth Theatre is the new home for this new tuner. Let us welcome the enchanting and uber-talented Alice Ripley back to The Great White Way where she undoubtedly belongs, joined onstage by J. Robert Spencer, Aaron Tveit, Adam Chanler-Berat, Louis Hobson, and of course, Jennifer Damiano. I'd like to personally take a second and wish this one the absolute - all personal ties and bias aside - this is truly an original piece of theatre, I haven't seen the latest incarnation yet, but let me say, that I surely welcome it with open mind and open arms. Break legs, all! Love and best to the cast and crew! Post the OFFICIAL reviews here!
Tonya Pinkins: Then we had a "Lot's Wife" last June that was my personal favorite. I'm still trying to get them to let me sing it at some performance where we get to sing an excerpt that's gone.
Tony Kushner: You can sing it at my funeral.
He was spotted at a performance last week so I wouldn't be surprised if he is the one who reviews it, especially considering he reviewed the Off-Broadway production.
"Alice Ripley is absolutely fierce. Like Sherie Rene Scott, Idina Menzel or Julia Murney, Ripley brings an electrifying, urgent intensity to edgy rock musicals. And Ripley?s luminous ferocity is displayed to brilliant perfection in ?Next to Normal.?
...
Simply put, ?Next to Normal? is truly one of the most powerful, surprising and invigorating original musicals in recent memory, reminding us how it?s possible for contemporary musical theater to hook an audience entirely through the strength of its storytelling. This dynamic musical should not be missed."
You might wish that this ordinary family, which lives in an ordinary house on an ordinary street in Ordinary Town, U.S.A., would want to include you in their world - but no. If this clan, the doctors that treat and mistreat them, and the lovestruck teen neighbor who populate Next to Normal are too consumed with their own concerns to pay attention to each other, you won't have a much better chance.
""Next to Normal," which opened Wednesday night at the Booth Theatre, is an exciting leap into the possibilities of musical theater.
Beginning with the familiar subjects of mental illness and family conflict, it creates a fresh, intelligent, compassionate and extremely touching experience.
The show has been significantly improved from the already distinctive version that was presented off-Broadway a year ago. If not for a frustrating cast change, it would be firing on every cylinder."
"Y'know, I think Bertolt Brecht was rolling in his grave."
-Nellie McKay on the 2006 Broadway production of The Threepenny Opera, in which she played Polly Peachum
Unlike the bipolar manic-depressive at the center of "Next to Normal," who draws no lasting salvation from her trials with different medications, this original new pop-rock musical has benefited unequivocally from treatment. Composer Tom Kitt, writer-lyricist Brian Yorkey and director Michael Greif have made a lot of smart changes en route to Broadway, giving the show a more assertive personality, a more consistent tone, sharper focus and greater depth to its relationships. While its weaknesses have not been entirely erased, they are outweighed by the intimate musical's ambition, sincerity and heightened emotional involvement
"It's a tough sell: a rock musical about mental illness. One or two people losing their marbles is pretty much de rigeur in a play; where would Shakespeare, O'Neill, Williams, or Tracy Letts (August: Osage County) be without it? But composer Tom Kitt and lyricist-librettist Brian Yorkey chose to devote two hours and 20 minutes (and nearly 40 songs) to this generally unappealing subject; the result, in Next to Normal, is incongruously, sometimes agonizingly beautiful."
"Y'know, I think Bertolt Brecht was rolling in his grave."
-Nellie McKay on the 2006 Broadway production of The Threepenny Opera, in which she played Polly Peachum
I like [title of show], but I love how David Rooney describes it, in a list of failed small-scale musicals, as "self-congratulating artistic masturbation."
"Y'know, I think Bertolt Brecht was rolling in his grave."
-Nellie McKay on the 2006 Broadway production of The Threepenny Opera, in which she played Polly Peachum
There are no easy answers to be found in "Next to Normal," a startling, emotion-drenched musical about one family's attempt to cope with mental illness. The show is an impressive achievement, a heartfelt entertainment that has found its way back to New York after an invaluable out-of-town retooling.
"The show?s lyrics ponder memory loss, depression and confusion. A typical musical number is ?My psychopharmacologist and I.? This not only is a serious, substantial, dignified and musically sophisticated new American work, intensely staged by Michael Greif, but a frequently moving picture of a empathetic nuclear family whose members are struggling, like many of us, to take care of themselves and each other, and to keep the stitches in the fraught daily fabric of their everyday lives. "
"Word of Mouth (sorry, no link, but it's up) is two raves and a mixed to negative... really, I hate Steven..."
Me too.
Butters, go buy World of Warcraft, install it on your computer, and join the online sensation before we all murder you.
--Cartman: South Park
ATTENTION FANS: I will be played by James Barbour in the upcoming musical, "BroadwayWorld: The Musical."
He's just so... easy to hate. He's the average college theatregoer in every way, but hates everything, and has the critical vocabulary of a toad. Also, he ONLY knew Christine Embersole when reviewing Blithe Spirit? ANGELA LANSBURY, YOU NIT WIT!!!! Updated On: 4/15/09 at 08:41 PM