Peter Morgan has the great ability to take what could be dry or brittle in other hands and make his subjects and stories human, accessible and theatrical. It was true of Frost/Nixon and The Audience on stage, “The Crown” on television, and thankfully, for Patriots, which also benefits from Rupert Goold’s thrilling, visceral production, including another great Miriam Buether set. Patriots starts to take on the quality of a thriller and then the proportions of Shakespearean tragedy with Vladimir Putin’s rise and Boris Berezovsky’s downfall. For those of us who like to have some good smart plays on Broadway, Patriots would be very welcome. (Also, London leads Tom Hollander and Will Keen were great). Fingers crossed for a transfer here.
Begin at the beginning and go on till you come to the end: then stop.