The show is about 2 hours and 15 minutes, including intermission.
They have student tickets you can buy in advance at the box office, $25, 1 per ID. My friends and I managed to get them an hour before the performance yesterday because we were coming from out of town and did not have the opportunity to buy them in advance, but we lucked out because we got literally the last 3 tickets.
About a week ago, I stopped by the box office and easily got a front-row center $20 ticket for the last Sunday night of the run; it's a great deal if you're not a student, only catch is you have to do it in person and with cash. It's a great option, but I'd do it pretty soon, since the buzz is really good on this one...
Full disclosure: I attended a special evening 'event' around this tonight, which included a pre-show discussion with Rick Elice, Roger Rees and Alex Timbers.
Their insight, and their stories and comments were fascinating.
Following the performance we gathered again - with the cast - for a wonderful night of conversation (and congratulations!). The cast members were all so enthusiastic about their participation in the show. They realize how special it is.
Endearing, funny, hip, imaginative, sweet, special and well told. A very special show.
"Two drifters off to see the world. There's such a lot of world to see. . ."
Saw it this afternoon, and have to echo the praise here. Just a wonderful production. Adam Chanler-Berat, Christian Borle, and Celia Keenan-Bolger were all wonderful, as was the rest of the cast. Wonderfully directed, cleverly written, and well-staged. Just a wonderful show. And the ending was very touching.
I hope this show has a future, but I also hope that future is in an intimate venue. The show definitely gains something from its immediacy.
I went back to the show today, and I loved some of the changes. The show started off differently, and the second act seemed to have the most revisions and cuts in scenes. Tons of new jokes, too. The ending is beautiful, I absolutely love the relationship between Peter and Molly, as well as the relationship the show itself has with the well known versions of Peter Pan. For those who still haven't seen it - you definitely should!
I saw a very early preview and was impressed enough to buy a ticket to go back near the end of the run. The cast is so inventive ,especially Borle , that I can't wait to see how the show changes. The opening of the 2nd act is wonderful.
I saw it the night NYAdgal saw it and was knocked out. The staging is extremely inventive, and the performances are exquisite, especially Celia Keenan-Bolger as Molly (the Wendy character) and Adam Chanler-Berat (who was so spectacular in Next to Normal) as the Peter character.
It's pretty much my favorite thing-that-wasn't-hyped-before-I-saw it in a very long time.
It's also my favorite thing-that-takes-off-from-a-classic-work-that-stands-on-its-own-apart-from-the-classic-work-yet-captures-the-true-spirit-of-the-classic-work in a very long time.
I'm going back with my bf on Saturday and I bought tickets as a birthday present for a friend. (If he sees this thread, the surprise will be ruined, but it will give him something to look forward to until he sees it, the day before his birthday.)
Seriously, if you love Peter Pan, don't miss this show.
God, I want to see this so bad. I can't say that enough.
Ridley Pearson, author of the books, posted this on his Facebook today:
"Last night saw PATSC with Jim Dale. Tonight, back to the show for Opening Night with co-writer Dave Barry and both our families! Also Rich Ross of Disney Film Studios! Fun night ahead."
I wonder if Disney will consider transferring Peter and the Starcatcher to Broadway or keep this strictly Off Broadway?
After the dissapointments of Tarzan and Little Mermaid, Disney seem to taking a different approach to their theatrical shows with Aladdin and Newsies getting tryouts regionally and Peter and the Starcatcher opening off Broadway rather than on Broadway.
I think anyone who's seen it will agree that this is an Off-Broadway show. Trying to make it anything bigger would take away so much of what makes it special.
I think that's one of Brantley's most well-written positive reviews ever. He always has a knack for making the pans sound delicious. But this review was glorious and beautifully written.
I'm sure if it did transfer, Disney will give it their full backing and with the great reviews, they must be considering it. I'm sure there is a number of small Broadway theatres that could house it with minimal changes. Updated On: 3/9/11 at 11:33 PM
It stood up to a second viewing. I definitely saw things in the script I missed the first time around. This time I fell under the sway of Christian Borle's over-the-top charms.
And Chanler-Berat and Keenan-Bolger both developed even more depth.