Flyboy_46259 said: "I The greatest shame is that there is no official high quality recording of the production.
"
There are several, just not totally in the public domain. Theres several proshots of London at least held by CamMac/RUG, large chunks of which were released on the POTO film DVD as extras in the documentary, and the OLC has a large amount of filmed footage.
Phantom4ever said: "Also, could you imagine anyone laughing at Maria's chandelier? I certainly could never."
I distinctly remember the first time I saw Phantom on Broadway I thought “This can’t be the real chandelier can it?” because it looked so hokey to me. The flimsy movement as it rose was very underwhelming. And I’m a huge Phantom fan and was so excited for this.
If they bring this back to Broadway, I just hope they use some of the Vegas elements. Most specifically the UFO chandelier and the effects around it. That to me was the definition of spectacle.
Pernigraniline said: "Flyboy_46259 said: "The greatest shame is that there is no official high-quality recording of the production."
There are several, just not totally in the public domain. There's several proshots of London at least held by CamMac/RUG, large chunks of which were released on the POTO film DVD as extras in the documentary, and the OLC has a large amount of filmed footage."
To say nothing of the OBC video now available at the Theatre on Film and Tape Archive at NYPL, which fans have already had a chance to view, and posted thoughts about on Tumblr (and another who spoke about their experience on a podcast, in fact). The interesting takeaway from reading/hearing both, for me at least, was how much had already been watered down by the years in the precious "Brilliant Original," which makes sense and also makes me feel a lot less hopeless than people who evidently never viewed it in that light seem to feel because of this thread...
GiantsInTheSky2 said: "I sure hope you are registered to vote, andcare about this current election asmuch as you care about these minute physical details of a show you’re not involved with. It sounds as if you’re a disgruntled member of the Bjornson estate. Woof."
And you sound like a condescending pr!ck. Woof.
GiantsInTheSky2 said: "All four times I saw the Broadway production post-Covid (but pre-closing announcement) elicited chuckles and straight up laughs from various parts of the audience and various non-comedic parts of the show, but most notably the rickety chandelier being slowly yanked towards the stage at the end of act 1."
I saw the post-Covid Broadway production many more times than you did, and not once did I observe anyone "chuckling" or "straight up laughing" at the chandelier.
==> this board is a nest of vipers <==
"Michael Riedel...The Perez Hilton of the New York Theatre scene" - Craig Hepworth, What's On Stage
GiantsInTheSky2 said: "All four times I saw the Broadway production post-Covid (but pre-closing announcement) elicited chuckles and straight up laughs from various parts of the audience and various non-comedic parts of the show, but most notably the rickety chandelier being slowly yanked towards the stage at the end of act 1."
People laugh for lots of reasons. Doesn't mean they thought it looked rickety. The chandelier fell as fast as was deemed safe.
It uses the reduced 14 piece orchestration. 4 reeds (no oboe), 1 horn (no other brass), 3 keys, 3 violins, viola, celo and bass. All of the perc is in the keyboards.