To this day, Mame is my favorite musical...not the best I have seen, but my favorite. To me, the show ws the perfect musical comedy -- great score, very funny book, solid direction and choreography, great roles for three females. I still remember that the first time I saw Mame was June 25,1966. Probably don't know the exact date for any other shows but two: I saw Annie Get your Gun revival the week after Mame (so I guess June 2,1966), and Sweet Charity three weeks before Mame (so June 4).
I was too young to fully enjoy Charity, but not Mame. I dont think Mame gets enough credit for its great score.
I listened to the Hello Dolly score for almost a year before I saw Dolly. Formany,many listenings, I got goose bumps when the vocals of Sunday Clothes and Hello Dolly reach their vocal crescendoes. They were just so joyous.
Similarly, I love the score to The Grand Tour and still consider You, I Like and I'll be Here Tomorrow be among his best songs. I listened to the score most recently about two weeks ago, and always wonder why it was such a flop...I assume that feel-good musicals were just out of style at the time.
While I love the score for Mack and Mabel, I believe there was nothing that Herman could have done to save the show. The story itself was such a downer. There is so much irony that the best thing about that mis-guided show was the score, which did not nominated for a Tony, when it received so many other nominations for less quality components.
Between Hello Dolly, Mame and La Cage, I wonder if there was any other Broadway composer, lyricist, librettist, director or choreographer who brought so much total joy into people's lives.