StageJunkie2 said: "But the burning question is WHY? What the hell do they actually DO to warrant charging such outrageously exorbitant fees? And the “well, It’s a percentage of the ticket price” just doesn’t cut it. It may be the way it is, but it sucks bigtime and is clearly just another money grab that they get away with. No logical reason why it should be calculated as a % of the ticket price. They do NOTHING…including not even printing a damn ticket. Disgusting…though I’m sure I’ll be pillaged as a curmudgeon."
You seem to grossly underestimate the costs that go into running a ticket-selling website/app/business.
"They do nothing."
You're right - they don't print the ticket; instead, they developed proprietary technology to not require printing. It cost money to do that.
They've also built a huge website and an app, to transact and allow the public to resell hundreds of thousands or even millions of tickets a year, with very few technical glitches (Taylor Swift aside), and there are human beings that have to run and maintain all that and answer your customer service questions who get paid - while also turning a profit because it's not a charity.
Conversely, Telecharge has used the same ticketing system since it was first launched (unless they finally changed it in the past 2-3 years, but I doubt it UPDATE they didn't, I just checked and they are still using their STAR system). If you don't spend a lot of money, you don't need to raise a lot of money.
The real question is: how much should they be allowed to profit as a for-profit business before it becomes unfair to the consumer? It's a question that is rarely answered and if it is, it's answered via legal action or consumers deciding to end their patronage and allowing it to collapse.
And just for the record - I hate fees, too, as a consumer, but I do understand the need for them to exist.
Updated On: 12/21/22 at 11:23 PM