"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
In this interview Marin says they are making changes "every day", and that they "just restaged Eve was Weak again".
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
It was a great interview, she seems so funny/genuine/kind.
She mentions how Magaret is a person who 'goes out' and 'works' (as opposed to sitting at home in a black cape praying). I feel like the dialogue to suggest that (the laundry bit before "Eve Was Weak") is a bit boring though. Is this one of the 'spots' they could 'fix'?
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
I'm reading the book - Margaret is a violent raving maniac. Perhaps they've chosen to portray her entirely different in the show. For me, she was subdued and unremarkable in this version.
She mentions how Magaret is a person who 'goes out' and 'works' (as opposed to sitting at home in a black cape praying).
Actually, she's both, but definitely not just one OR the other.
While I'm confident that Marin could play this part any number of ways, I'm sensing she is completely in agreement with the director on this approach, and that's unfortunate (for her own sake). It's not to say that if he didn't try to take it a new direction, she wouldn't "go for it," but this is clearly not a case of "artistic differences" here.
They both are attempting to have Margaret White behave like a normal/real person.
... in a horror story ... with a daughter who burns down a town with her mind.
"Jaws is the Citizen Kane of movies."
blocked: logan2, Diamonds3, Hamilton22
Uh oh, do I sense this modern "realism" creeping into Carrie, too?
Margaret White to be fleshed-out and made real! Not some dreary, God-fearing lunatic with a cape. No! This production is honest and this director is a GENIUS! Roflmao.
Recreation of original John Cameron orchestration to "On My Own" by yours truly. Click player below to hear.
If Ripley still had the pipes to tear through this role it would have been magical.
How is almost everyone in the theatre community in agreement that Margaret can't be a "real" person and yet they continue trying the approach. It's not working.
Leadingplayer, according to Bernie Telsey, Marin Mazzie was Stafford Arima's first and only choice for Margaret from the very beginning (he'd worked with her when he Associate Directed the original production of RAGTIME.)
Tonya Pinkins: Then we had a "Lot's Wife" last June that was my personal favorite. I'm still trying to get them to let me sing it at some performance where we get to sing an excerpt that's gone.
Tony Kushner: You can sing it at my funeral.
She still sounds like the right choice to me. Her "When There's No One" is perfect, her "Boys Could Dance" sounds more intense than Buckley's to me and even though I don't think her "Eve Was Weak" comes close to Buckley's it is by no means tame (cf. Babara Cook). In the interview Mazzie suggests that their 'vision' is of Margaret as a real person you would see walking down a street (and assumably not take a second look).
If Piper Laurie's Margaret walked past you in a street today I think you would turn to your friends and sn*, and it would be uncomfortable being alone in a room with her (e.g the scene in Sue's house) because she is just so strange.
I don't believe that Marin Mazzie is incapable of doing this, but the dialogue is just not there. How can Marin Mazzie convey a sense of craziness if the first spoken words that come out of her mouth suggest that she is just a hard working sex-typed (Laundry) woman?
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000