One more that I'd forgotten earlier: Mary Poppins: Original Australian Producton
I had thought about including more than one version of Les Mis, Sweeney, Annie, and ItW on my list - since I love the film soundtracks for each of those shows as well and the 2005 Sweeney Broadway Revival - but decided in the end to only focus on one recording from those shows.
The one that stands out in my mind where I prefer a latter cast recording than the original cast recording is for the 2013 revival of pippin.
In our millions, in our billions, we are most powerful when we stand together. TW4C unwaveringly joins the worldwide masses, for we know our liberation is inseparably bound.
Signed,
Theater Workers for a Ceasefire
https://theaterworkersforaceasefire.com/statement
Does anybody know the answer to my question about the Joseph: The New Musical Cast album (wondering who the personnel on it are)?
Also, I'm going to treat the Newsies Film soundtrack as the original recording of that score and mention that I vastly prefer the Broadway Production recording.
Company is a mistery: I probably listen to the '96 and 2007 Company revivals more than I do the OBC, as well as to the 2011 concert. But it's just 'probably'. Each recording has many great qualities of its own (and some not so great...).
The Boyfriend Revival with Judy Carne and Sandy Duncan is much easier to listen to then the original cast with Julie Andrews. Mostly because of the technology from the seventies being so much better than the technology from the fifties.
The London cast recording of Sunset Boulevard is the original. The L.A. recording with Glenn Close came second (it's not the Broadway cast recording; Alice Ripley took over the role of Betty when the show opened in NY after the US premiere in Los Angeles)
Put me down for the 2011 Royal Albert Hall version of Phantom as well. I just have never really liked Sarah Brightman's voice. She's technically great, but it has just never done it for me.
I figured it was time to update my list and add some new stuff:
The Music Man - 2000 Broadway Revival (this is a better version than what I had previously listed)
Jesus Christ Superstar - 1996 London Revival
The Wiz - 2015 NBC LIVE! Production
Joseph and the Amazing Technicolor Dreamcoat - 2006 London Palladium Revival (this is a better version of the score than what I had previously listed, which seems to have been an 'off-brand' generic recording)
South Pacific - 2008 Broadway Revival
Dreamgirls - 2001 Concert Production
The Fantasticks - 2006 Off-Broadway Revival
Evita - 1996 Film Adaptation (although the 2006 London Revival score is a close second)
Chicago - 2002 Film Adaptation
How to Succeed in Business without Really Trying - 1995 Broadway Revival
The King and I - 2015 Broadway Revival
Oklahoma - 1979 Broadway Revival
Carousel - 1994 Broadway Revival
Also, if we can count "original recordings" as being the soundtrack albums of stuff that started out in film and was later adapted for the stage, the Broadway recordings of Beauty and the Beast, The Lion King, Tarzan, Newsies, The Little Mermaid all get votes from me, as does the Andrew Lloyd Webber adaptation of The Wizard of Oz.
It's not technically a recording, but the only recording of "Carousel" I can listen to without hating Julie is the Lyric Opera's radio broadcast. Unfortunately, I can't listen to Lyric Opera's version without hating Carrie.
They/them.
"Get up the nerve to be all you deserve to be."
CATSNYrevival said: "For Chicago I actually prefer the London revival cast album. It has more dialogue, Roxie's soliloquy, the act one finale and Ruthie Henshall, of course. "
Not to mention Ute's phenomanal performance
For me:
* Anything Goes (Londron, NT, 2003)
* Assassins (Broadway, 2004)
* Cabaret (Broadway, 199
* Candide (London, 1999)
* Carousel (1995 BBC Broadcast with Mandy Patinkin and Janie Dee)
* Chicago (London revival)
* The King And I (Broadway, 1996; London, BBC Broadcast with Barbara Cook)
* Evita (World Tour, 1995, with an amazing Florence Lacey)
Well I didn't want to get into it, but he's a Satanist.
Every full moon he sacrifices 4 puppies to the Dark Lord and smears their blood on his paino.
This should help you understand the score for Wicked a little bit more.
Tazber's: Reply to
Is Stephen Schwartz a Practicing Christian
Having just listened to the 2012 Broadway Revival Cast Recording of Evita in its entirety, I have to update my comment from February where I said that the Film Recording version of the score was my favorite and give that spot to the 2012 BRCR, with my only real complaint being that I wish they'd followed the movie in making Another Suitcase in Another Hall a song for Eva.
I really do prefer the 2008 recording of South Pacific. The original is wonderful, but I find the performances to be just as good on the 2008 recording and the sound quality is much sharper.
The 2016 recording of She Loves Me is absolutely definitive. The OBC is wonderful, but the new recording is far superior due to the new orchestrations and Jane Krakowski's definitive Ilona.
I also enjoy the 2004 recording of Assassins to the original off broadway recording. The performances are better and it has some essential dialogue ("Have it your way...". It also has "Something Just Broke" which is a wonderful addition to the score.
Does not feel cool to pick a movie over the Broadway recording, but I have to vote for Jeremy Jordan and Anna Kendrick on The Last Five Years. And I wish we could have an OBC version of American Psycho, which would undoubtedly be better than the London cast.