Someone, I saw ANYONE CAN WHISTLE years ago at the York Theatre in NYC. Not at all a bad production and, no, it just doesn't work. The first act is so busy being clever (as Sondheim himself has admitted, only he said "smart ass" rather than "clever") that we don't really know any character except the Mayoress until Act II. And she really isn't a character but a "device".
That's very late in the evening to commit emotionally to the central relationship (Hapgood/Nurse Apple) of the show. Not to mention that the theme that the sane are insane and the insane are sane is a dated romantic notion in this age of psychotropic drugs.
As with MERRILY, however and of course, those of us who love the score will always sign up to sit through a production of WHISTLE. But the general public or even the casual Sondheim fan who only knows NIGHT MUSIC and INTO THE WOODS? He ain't comin'.
(ETA Since EVENING PRIMROSE only has four songs and ran an hour on TV with commercials, maybe somebody would like to pair it with the 90-minute PASSION. No doubt A8 will be along to tell us two wrongs don't make a right, but it strikes me as an interesting evening.)
Updated On: 8/5/15 at 11:28 PM