On the stage live, you can't beat the combination of O'Hara & Szot, but none of the energy of the stage production is on the cast recording and although Matthew Morrison's acting was great as Cable, on the recording we are left with his weak vocals of two of the best songs in the show. While the orchestra plays beautifully, Szot and O'Hara do not display any of the magical qualities that made seeing the show live such a wonderful experience. Something was seriously wrong on the day this was recorded.
The Concert recording has flaws and Reba McEntire may not be everyone's cup of tea, but this recording has energy and excitement.
Separated from the rather lackluster film, the 1958 soundtrack recording remains the best modern recording ever of South Pacific and it is still available in surprisingly excellent stereo sound. It was Richard Rodgers favorite recording of his score. As good as Szot and O'Hara are in the revival, Mitzi Gaynor & Giorgio Tozzi are better yet, Bill Lee is vocally and dramatically the best Cable ever, Muriel Smith is the most perfect vocal embodiment of Bloody Mary and no recording will ever be able to come close to the virtuoso 65 piece orchestra and fantastic chorus used on the soundtrack. The 1958 soundtrack is the most atmospheric of all South Pacific recordings but keep in mind that a lot of theatrical purists frown on this recording because it is a movie soundtrack but it is very faithful to the score and is, to my ears, the most magical of all South Pacific recordings. Richard Rodgers was right.
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Updated On: 6/2/09 at 09:08 PM