uncageg said: "VernonGersch said: "curious to hear about how exactly all three Donnas are woven together. is it confusing?"
And looking at the pictures it appears the three singtogether at some point.
"
No, it isn't confusing. It's very well-done and utilized throughout the musical and they sing together in the 2nd number "I Feel Love" which was the first of many that got tremendous applause from the audience. Will explain more as I talk about the show from the musical numbers list.
The 1st preview began with Des McAnuff coming on stage and telling us that it would be approximately 1:45 without an Intermission and that at the dress rehearsal on the previous night there was only one stop during the show; at ours there were none. Didn't look at my watch so have no idea whether it was longer or shorter than the time mentioned but it sure flew by and didn't seem like 1:45.
There was no curtain and the stage was bare except for the spotlights which were all laying on the stage. When the show began they rose, turned on and a turntable with a Casablanca record rose from the floor and began playing a Donna Summer song. Then LaChanze rose from the floor to tremendous applause and she had to say her 1st line to stop it and we found ourselves at a concert (the name of the place rolled across the lower front of the stage; used throughout the show to reference time and place of the scenes) and she sang "The Queen is Back", one of her songs that I wasn't familiar with. It morphed into the appearance from the floor of Disco Donna, a gorgeous Ariana Debose on the left and Duckling Donna, Storm Lever on the right with LaChanze in the center and they sang "I Feel Love" in a concert setting which was greeted with loud cheers and applause by the audience.
LaChanze then talked to the concert audience and began narrating things about her life in song #3: "My Life" which began with her at a recording session with Giorgio Moroder (Mackenzie Bell) and Pete Bellotte (Kaye Tuckerman) trying to get her to record song #4 "Love To Love You Baby" that made her the First Lady of Love. The really strange thing here was that Giorgio and Pete were played by women and as the show went on all the male roles except for four were performed by females. It wasn't until curtain call when the cast came out that I realized that there were only four males in the show: Drew Foster who played the Gay friend Brian and a detective; Aaron Krohn who played Neil Bogart and the stalker Gunther; Ken Robinson as Donna's father, Andrew Gaines and Jared Zirilli as Bruce Sudano. The rest, a total of 20 were played by females, many of whom played more than one role including LaChanze who also played Donna's mother, Mary. Didn't particularly like the androgynous look to the actors but understand why it was done to show Donna fighting for control of her life professionally and personally which was the central plot of the show.
Then her life is followed thru the three Donna's with the most being played by Ariana Debose who was really incredible. I loved her just in the ensemble in Hamilton, the OBC, but here she gets a chance to shine and this could be the show to make her a breakout star on Broadway when it reaches Broadway and it will.
The rest of the songs which except for two, the Oscar winning "Last Dance" and "MacArthur Park" were all written by Donna revealed the highs and lows of her life:
#5--"I Remember Yesterday"--morphs into
#6--"On My Honor" set in a church with cathedral projections and a row of churchgoers which rolled onto the stage where she sang her 1st solo for the congregation.
#7--"Faster and Faster to Nowhere" which concentrated on Donna's teen years where she was searching for meaning to her life.
#8--"White Boys" leading to a dark 'deadly' encounter in the subway which led to her leaving Boston and heading to Germany to appear in "Hair" and the beginning of her disco career in
#9--"Love to Love You Baby (Reprise)
Donna wanted to sing and not just groan on her recordings and she finally got her chance to display her vocal range in the best musical number of the show as I said to my friend, WOW! #10--"MacArthur Park". I want a recording of this because Ariana DuBose was incredible!
#10--"Heaven Knows" introduced Jared Zarilli as her future husband, Bruce Sudano and an excellent duet with Ariana DuBose.
#11--"No More Tears (Enough Is Enough)
#12--"Pandora's Box" used to open all the problems that Donna was having in her personal and professional life and I think this was the really hard to watch domestic abuse scene in the play with Gunther.
#13--"On the Radio" set in Donna's car on stage was another crowd pleaser.
#14--"I Love You" revealed a 2nd car which had Bruce Sudano in it and he professed his love for Donna leading to her 2nd marriage after three years of courtship.
Then came the court case for Donna to get rid of Neil Bogart as her producer and taking financial control of her professional life in two beautifully choreographed numbers by Sergio Trujillo #15--"Bad Girls" and #16--"She Works Hard for the Money".
Next Neil Bogart died of cancer and Donna sang at his funeral center stage #17--"Dim All the Lights".
Life didn't get better but darker with even a possible suicide attempt that I never knew about at the Ritz Hotel in NYC that led to a rebirth in her religious views with #18--"I Believe in Jesus". It also led to a reveal that she had been molested by someone in the church.
The next four were songs that were not familiar to me, but except for one all written by Donna and set in her home in Thousand Oaks and at the hospital when she got the bad news that she had terminal cancer.
#19--"Unconditional Love"
#20--"To Turn the Stone"--Cancer song I believe
#21--"Stamp Your Feet"--LaChanze sang this with her three daughters
#22--"Friends Unknown"--the infamous "Adam and Steve" comment.
#23-"Hot Stuff" returned to the beginning concert stage with the record player and LaChanze returning to set up the finale #24, the Oscar winning "Last Dance" which turned the La Jolla Playhouse into a disco complete with disco balls and even paper falling from the ceiling.
I liked the staging even though the stage was mostly blank with sets when needed rolled on stage. Projections were used when needed for the church and her paintings which she pursued later in life.
Choreography by Sergio Trujillo was excellent and even better that it was performed by 20 females!
Music as expected was fabulous with all three Donna's fantastic and getting their chance to shine. I really loved that at Curtain Call the orchestra was revealed on 5 projection screens that dropped from the top of the stage. No one left until they finished.
The book had a lot of depth especially with the dark scenes but it still needs some work and I'll be interested in seeing what they change when I see it again at the final performance on December 17th.
Updated On: 11/8/17 at 03:52 PM
