THE ROSE TATTOO Previews — Page 2
Posted: 10/9/19 at 10:10am
Has anyone seen the show recently? This negative buzz is shattering and making me think I need to get rid of our tickets when I am in the city - I think opens next week so I'd imagine press previews have begun?
I have never seen the play or the film but love Williams but a play being both BORING and TERRIBLE as has been mentioned on this thread as me concerned that I should try to see and see something else
Posted: 10/9/19 at 1:47pm
I saw the show last night and sorry to say nothing has improved based on the comments i've read. The first act is SLOW and TERRIBLE. AND LOUD. Both my and my companion had headaches from the screaming children during at intermission. And the set and lighting. oof.
I cannot speak to the 2nd act because we got the hell out of there toot suite.
VernonGersch said: "Has anyone seen the show recently? This negative buzz is shattering and making me think I need to get rid of our tickets when I am in the city - I think opens next week so I'd imagine press previews have begun?
I have never seen the play or the film but love Williams but a play being both BORING and TERRIBLE as has been mentioned on this thread as me concerned that I should try to see and see something else"
Posted: 10/9/19 at 3:28pm
VernonGersch said: "Has anyone seen the show recently? This negative buzz is shattering and making me think I need to get rid of our tickets when I am in the city - I think opens next week so I'd imagine press previews have begun?
I have never seen the play or the film but love Williams but a play being both BORING and TERRIBLE as has been mentioned on this thread as me concerned that I should try to see and see something else"
Act I, I found, dragged to an absurd degree and there is one scene with two characters who literally never reappear that, while amusing for a moment, goes on for far too long and doesn't advance the plot all that much. If you can make it through Act I, though, I thought that Act II was absolutely delightful: fun, comedic, and romantic all at once, and it actually let both Marisa Tomei and Emun Elliott shine a little bit.
I'm glad that I saw it for completeness sake as a Tennessee Williams buff, but I'm not sure the play itself is salvageable, even in the hands of the greatest directors alive today. You could probably do it with about 15 minutes' worth of Act I and then the full Act II run as a one-act play, but I doubt the estate would permit it. So unfortunately this is what we're left with: a piece that does not do its players' talent justice.
Posted: 10/9/19 at 5:58pm
roof, I will so be skipping this. life is too short for mediocre theater - and way too expensive
Posted: 10/9/19 at 6:19pm
VernonGersch said: "roof, I will so be skipping this. life is too short for mediocre theater - and way too expensive"
Yeah, if you can swap your tickets out, it's worth doing it. There's enough good theatre in NYC right now that this one really can be given a pass.
Maybe there's a reason no one bothers reviving this play anymore. ![]()
Posted: 10/10/19 at 9:46pm
i do believe if you didnt enjoy it, its because of the play and not the production. i went in skeptical and ended up enjoying it for the great marisa performance, the fun chemistry, and for what they tried to do to make it a fresh production. i was thinking about the one part of 'nine' almost the whole time
Posted: 10/11/19 at 8:50pm
rg7759 said: "i do believe if you didnt enjoy it, its because of the play and not the production. i went in skeptical and ended up enjoying it for the great marisa performance, the fun chemistry, and for what they tried to do to make it a fresh production. i was thinking about the one part of 'nine' almost the whole time"
I think that's a fair perspective. I saw it for two reasons: first, I wanted to see Marisa Tomei onstage, and second, I am a huge fan of Tennessee Williams' work. I don't regret going on either account, and the performances were great, but I really do think this is one of TW's weaker works, and that accounts for a lot of the criticisms of the current production.
Posted: 10/12/19 at 11:58am
I did enjoy Act 2 mildly and i also enjoyed Marisa Tomei’s performance. But after seeing Slave Play and The Sound Inside the period days, it seemed so hopelessly trivial. It would be interesting to understand why Tennessee Williams wrote it in the first place.
Posted: 10/12/19 at 12:08pm
Posted: 10/12/19 at 1:52pm
Posted: 10/12/19 at 10:51pm
Posted: 10/11/21 at 2:52pm
I saw the production towards the end of its run and enjoyed it despite the bizarre staging. The dozens of pink flamingos on stage, the lack of clarity about where doors were in Serafina's house and the children running about at random. Marisa's performance was really quite good.
Why has this thread popped up after a few years?
Updated On: 10/12/21 at 02:52 PM
Posted: 10/12/21 at 12:11pm
Dollypop said: "Why has this thread popped up after a few years?"
Yeah I was wondering about that too. It was just there for awhile before your reply, I wonder if there was a deleted reply?
(Personally, I didn't need to be reminded of that production, but it was fun to read the replies again, including my own.)
"Hey little girls, look at all the men in shiny shirts and no wives!" - Jackie Hoffman, Xanadu, 19 Feb 2008
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