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The Hollywood Reporter's Who will win and Who should win

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#2

The Hollywood Reporter's Who will win and Who should win

Finally someone who thinks Fun Home is going to win! It's a lock for Book and Score but it's nice to finally see some pull in the Best Musical category.

Updated On: 6/2/15 at 07:41 PM

#5

The Hollywood Reporter's Who will win and Who should win

With the exceptions of Best Lead Actor in a Musical and Best Featured Actress in a Play, I actually agree with their predictions. I just see Michael Cerveris and Annaleigh Ashford walking away with trophies. 

#6

The Hollywood Reporter's Who will win and Who should win

Confused by the description of Andy Karl: "With Paris and Rotten both represented by pairs of nominees, vote-splitting among costars is likely and would help to pave the way for Outer Critics Circle winner Karl, who also has several other things going for him: he's well-known, well-liked and still Tony-less (he first hit Broadway in the 1990s)..."


1990s?  "Still" Tony-less?  I absolutely adore Andy Karl, but to be honest I never knew he existed before "The Mystery of Edwin Drood" in 2012.  Is there some decades-long history of Tony-worthy performances I'm unaware of?  (Real question, no snark.)


 


"Tracy... Hold Mama's waffles."

Updated On: 6/2/15 at 08:02 PM

#7

The Hollywood Reporter's Who will win and Who should win

Karl has certainly been working in New York for quite a while, but I would say he didn't really break out in a meaningful way until Legally Blonde, which was his first time originating a role on Broadway.


"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
#8

The Hollywood Reporter's Who will win and Who should win

"Cerveris's role is not particularly demonstrative."


 


All credibility is lost.


I truly believe that any talented actor on Broadway could pull off Borles and D'arcy James's roles to an equal extent.

#11

The Hollywood Reporter's Who will win and Who should win

I completely overlooked that part about Cerveris. How anyone saw something other than the incredibly nuanced and layered character he created, I'll never understand. It's almost as bad as Elisabeth Vincentelli referring to Fun Home's score as "beige."  

#13

The Hollywood Reporter's Who will win and Who should win

 I think what Rooney meant by "demonstrative" is "showy," which often goes a long way in awards season.  While I wouldn't mind seeing d'Arcy James recognized for yet another terrific performance, I'm keeping my money on Cerveris for his sublimely understated, still-waters-run-deep performance. Showy is somewhat easier with the right material (you're welcome, Brad Oscar) but what Cerveris brings to Fun Home is extraordinary in its simplicity and honesty.

#16

The Hollywood Reporter's Who will win and Who should win

I have to say, there are really so many deserving nominees in each category, it's really going to be a win-win either way. I'd love multiple ties, if only.


Just no sweeps. Sweeps are so boring.


 




"Hey little girls, look at all the men in shiny shirts and no wives!" - Jackie Hoffman, Xanadu, 19 Feb 2008
#17

The Hollywood Reporter's Who will win and Who should win

"I actually thought he bordered on over acting when I saw him.  He was by far the weakest link in the cast for me.  I thought the women fared much better."


 He was, far and away, my least favorite part of that cast. I was kind of disappointed. 


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#18

The Hollywood Reporter's Who will win and Who should win

I agree with almost all his picks.


I think Lucas will take Supporting Actress though.


 


I'm also not so sure Cerveris is a shoo-in.


I would love for BJD to win, but I actually think it may be Fairchild.


 


....but the world goes 'round
#19

The Hollywood Reporter's Who will win and Who should win

Taz-I think he's actually right about Kuhn winning and the logic is solid. Lucas could win but I think Kuhn will ultimately. 


I do think Annaleigh Ashford will win featured actress in a play, though. I also think actor in a musical is much more about Cerveris and Fairchild with James behind them. 

#20

The Hollywood Reporter's Who will win and Who should win

I would delighted if Kuhn wins, Falling!


She's my "should win" pick. I hope you're right.


But either way, it's a great line up of performances in that category.


 


 


....but the world goes 'round
#21

The Hollywood Reporter's Who will win and Who should win

I'm surprised THR would buy into the fallacy that having a co-star nominated in your category causes "vote-splitting". What causes vote-splitting is having other nominees in the category period. They all siphon votes from one another. In the past eleven years alone, the following actors have won Tonys when they had a co-star in their category:


 


Audra McDonald


Billy Crudup


Jennifer Ehle


Norbert Leo Butz


Liev Schreiber


Adriane Lenox


Idina Menzel


Michael Cerveris


Billy Porter


Douglas Hodge


Marcia Gay Harden


Gregory Jbara


Deanna Dunagan


Jim Norton


Mark Rylance


Sophie Okonedo


Just remembering you've had an "and" When you're back to "or" Makes the "or" mean more than it did before

Updated On: 6/3/15 at 08:14 AM

#23

The Hollywood Reporter's Who will win and Who should win

They clearly don't understand, in their arguments, that "Fun Home" was not eligible for the precursor awards this season.


"Carson has combined his passion for helping children with his love for one of Cincinnati's favorite past times - cornhole - to create a unique and exciting event perfect for a corporate outing, entertaining clients or family fun."

"In Oz, the verb is douchifizzation." PRS

#25

The Hollywood Reporter's Who will win and Who should win

I would further argue that the Tonys have no precursors at all anyway--for the reason you state, that the eligibility is often different so the nominee lists are often apples and oranges. Also, there is almost zero overlap in the voting bodies. Unlike, say, the SAG awards, where there is some real overlap in voters with the Emmys and Oscars.


Just remembering you've had an "and" When you're back to "or" Makes the "or" mean more than it did before

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