We just caught this in a movie theater in West Hollywood-- I had seen the recent Off-Broadway revival but my husband and our friend were newbies.
SO glad they made a movie of this show. It wasn't prefect (atrociously ugly cinematography in parts, overdecorated rooms one after the other, insane costume choices for Cathy), but how extraordinary to get that much excitement on screen from a stage piece that I found basically a static cabaret concert. The movie had plot, momentum, heartbreak, crazy-funny humor, and a sense of two disparate people hurtling in opposite directions no matter what steps they took to try to change their own stories. The dialogue was entirely welcome-- amazing to read that it was wholly improvised onset.
I'm a big fan of Kendrick's, but contrary to most other posters here, this time I thought Jeremy Jordan outshone her by a mile. Beyond the gorgeousness of his voice, he seemed to be LIVING his songs, living his character's joy or pain or douchie-ness. Anna somehow always seemed like an actress acting out her choices rather than a real person. Where Jeremy's songs ALL felt live-sung, Anna's ALL seemed to be coming from the playback console. Wonder why that was....?
I give Richard Lagravanese huge props for conceiving some brilliant scene stagings, particularly the final sequence, but also the symmetrical shots to frame the Central Park scene. Those places where we could focus on concurrent arcs at once were total goose bump moments. For that reason, it was twice at frustrating to face the Cathy audition sequence, where BOTH Cathy and Jamie were singing-- NOW whose arc are we supposed to be within? Once the rules are set up, don't know why Lagravanese had to muddle them up.
That said, yay for giving us a Last Five Years that far surpasses the stage show, and adds another worthy entry to the list of good tiny movie musicals. We'll take every one we can get.
Updated On: 2/15/15 at 11:28 PM