I am a firm believer in serendipity- all the random pieces coming together in one wonderful moment, when suddenly you see what their purpose was all along.
Ooh! Bit below the belt! But she has been especially deserving today so I don't care. ^_^
It may be considered unusual in that it's a very beautiful love song that never uses the word "love", but that's the beauty of it, using such wonderful lyrics to express the feeling of being in love without copping out and just saying "yeah, I love her". Gorgeous. :3
I would say 'The Bride's Lament' from Drowsy, but as it's meant to be odd, I don't think it counts. But I've had it in my head all day, dagnabbit!
"Maria" was also wriiten in what some piano players call the "Devil's" style, with almost all of the chords and progressions in 3rds. I think the term came up during the middle agee, thought the exact history is lost to me. Who writes a LOVE song in Devil-style? Only Berstein.....
"Are you sorry for civilization? I am sorry for it too." ~Coast of Utopia: Shipwreck
I am a firm believer in serendipity- all the random pieces coming together in one wonderful moment, when suddenly you see what their purpose was all along.
lol- Too true. Actually, my sister just informed me that the proper term to use for that progression is a "Tritone", and is nitpickingly called "The Devil IN music". Apparently in the middle ages those who sang in the key were ex-communicated from the church....uhoh
"Are you sorry for civilization? I am sorry for it too." ~Coast of Utopia: Shipwreck
"If this is going to be a Christian nation that doesn't help the poor, either we have to pretend that Jesus was just as selfish as we are, or we've got to acknowledge that He commanded us to love the poor and serve the needy without condition and then admit that we just don't want to do it." -Stephen Colbert
The first one that came to my mind was "Unworthy of Your Love" from Assassins. Not that the song itself is that odd, but the concept of Squeaky Fromme and John Hinckley singing a pop ballad duet about their obsessive crushes is a bit on the peculiar side.
"Why, I make more money than... than... than Calvin Coolidge! PUT TOGETHER!" ~Lina Lamont
I specifically remember Mary Rodgers (on Broadway: The Golden Age) saying that when Bernstein played Maria for her, she thought it was strange and dissonant, though beautiful. It does use pretty uncommon intervals.
Oh, and Drowsy is about as far from odd as a score could get.
Jerry Likes My Corn is an odd title. (MLW even commented on it!)
"A birdcage I plan to hang. I'll get to that someday. A birdcage for a bird who flew away...Around the world."
"Life is a cabaret old chum, only a cabaret old chum, and I love a cabaret!"-RIP Natasha Richardson-I was honored to have witnessed her performance as Sally Bowles.
I thinks I would have to second The Elephant Song from 70, Girls, 70.
The first time I heard that song I could not stop laughing at how amazingly awkward it was. And when I tried to sing it to people to show them an example of the most random showtune ever written, I couldn't even make it through part of the lyrics before busting up laughing again.
"Where does an elephant go-o-hahahahahahahahahahAHAHAHAHAHAHA" Is pretty much how the conversation went.
Bobby :)
"Mr. Billings! Mr. Billings! WHERE did the elephant go-o-o-o WHERE did the elephant go?!"