By far, the best musical ever written is Gypsy. The book and score blend so flawlessly together, there seems to be no difference between the dialougue and songs. The characters are so well written seem so real. The overture is the best ever written. As is the book and the score.
I have absolutely no clue why people bash on Little Lamb so much though. It's the first time we really see Louise. If the actress conveys the emotions correctly, (FOR GOD'S SAKE, SEE LAURA BENANTI) the audience can truely connect with her for the first time in the show.
"These rabid fans...possess the acting talent to portray the hooker...Linda Eder..." -The New York Times
For me, I'd have to say the perfect musicals are Fiddler on the Roof, Guys and Dolls, and Sweeney Todd.
I feel like Fiddler on the Roof and Guys and Dolls both have fantastic books, made me laugh out loud multiple times, and there is not a single song that I do not love. Sweeney Todd for me is the most... spellbinding musical I can think of--I mean, come on, it's funny and scary and romantic and cynical, AND it's got cannibalism and all kinds of questionable morality combined with these gorgeous tunes.
I think Ragtime has one of the best scores I've heard, but I haven't seen it live yet, so I can't judge on the full content of the show.
In my pants, she has burst like the music of angels, the light of the sun! --Marius Pantsmercy
When Mimi comes back, it's a happy ending. When Eliza comes back, it's to a future of emotional abuse. I'm more likely to excuse the 'Rent' ending than the 'My Fair Lady' one.
I totally agree. I just saw a production of My Fair Lady last night, and I absolutely loved it... right up until the last scene. I mean, I'd seen the show before, but this one had the least pleasant Higgins so far. Because he was more manipulative and "what-who-me?" and falsely innocent all the time, and it was like he tricked Eliza into thinking he was a good guy or something-- and she just skipped out grinning and holding the slippers.
But I agree, that Trevor Nunn ending does sound better. I'd have liked to have seen that.
In my pants, she has burst like the music of angels, the light of the sun! --Marius Pantsmercy
Every musical has flaws, even if they're tiny. Even if it's a lyric that makes you itch, it is still a flaw.
Sweeney Todd is very close to perfect, but it still has some big flaws. The character of Anthony is very underdeveloped and has little personality; he's just the hunky guy that saves Johanna. I also think Tobias does not have enough time with Mr. Lovett and when he sings 'Not While I'm Around', it's very strange to the audience because we really don't know anything of their relationship beforehand. Also, some of the lyrics in the Ballad of Sweeney Todd are not good; they're just there to fill up syllables. "His skin was pale and his eye was odd" is the first lyric that comes to mind, they just needed something to rhyme with Todd and stevie came up with that crappy sentence.
I personally like Wiat. It's a beautiful song that is one of the moments we need; it shows the relationship between Mrs. Lovett and Sweeney Todd. It is the first time we see that all Sweeney cares about is The Judge/ The Beadle... and all she cares about is him, that is why she sings that song to comfort him. It is really important to making the ending so much more dramatic.
ETA: If there's one thing Tim Burton's film did, it was that it fixed the problem of not knowing Tobias and Lovett's relationship. The movie fixed that flaw.
"There's nothing good on. The media hates Christmas. The media loves vampires, though. Maybe they will show a Twilight Christmas." -Danmeg's 10 year old son.