On the tour website O’Brien and Mitchell are billed as original director and original choreographer, respectively and they have their associates recreating it in place of them.
In our millions, in our billions, we are most powerful when we stand together. TW4C unwaveringly joins the worldwide masses, for we know our liberation is inseparably bound.
Signed,
Theater Workers for a Ceasefire
https://theaterworkersforaceasefire.com/statement
Not only did they sign off, they were actively involved in rehearsals when the tour kicked off two years ago. Most Non-Equity tours use the original direction and choreography from their Broadway counterparts, unless it’s a brand new staging like PETER PAN will be.
seaweedjstubbs said: "they were actively involved in rehearsals when the tour kicked off two years ago."
I believe they were, indeed, involved with the Networks tour, but not with the current APEX produced tour
In our millions, in our billions, we are most powerful when we stand together. TW4C unwaveringly joins the worldwide masses, for we know our liberation is inseparably bound.
Signed,
Theater Workers for a Ceasefire
https://theaterworkersforaceasefire.com/statement
This has been going on for years. Equity just doesn't have much of a leg to stand on because all the associates directing this are Equity actors / directors, but still do this because a job is a job. It's all kind of an eye roll. Because as actors we can't work on Non-Equity productions, but they can direct them, produce them, etc.
Adding to the above, it can also be very lucrative for a director/choreographer to have their work recreated for a non Eq tour, whether they have any involvement or not.
Most Tours do, equity and non-equity tours alike, lift wholesale from original (or revival) staging. Most people when it comes to touring aren't looking to see a new staging, they're looking for what they saw on the Tonys or from clips on line. It's far more financially beneficial to use it, than to pay people to create a production from scratch. IE, the sad tour of Legally Blonde that was recently going around.
RippedMan said: "This has been going on for years. Equity just doesn't have much of a leg to stand on because all the associates directing this are Equity actors / directors, but still do this because a job is a job. It's all kind of an eye roll. Because as actors we can't work on Non-Equity productions, but they can direct them, produce them, etc."
Equity doesn’t include directors and choreographers, regardless, nor does it have any sort of reciprocal relationship with SDC, the director and choreographer union, and therefore can’t regulate what work its members do in a different union jurisdiction.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
Kad said: "RippedMan said: "This has been going on for years. Equity just doesn't have much of a leg to stand on because all the associates directing this are Equity actors / directors, but still do this because a job is a job. It's all kind of an eye roll. Because as actors we can't work on Non-Equity productions, but they can direct them, produce them, etc."
Equity doesn’t include directors and choreographers, regardless, nor does it have any sort of reciprocal relationship with SDC, the director and choreographer union, and therefore can’t regulate what work its members do in a different union jurisdiction."
Which is why I’m saying it’s side eyed but nothing you can do.