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WSJ reviews "Kiss Me, Kate" Great Performances 2025

WSJ reviews "Kiss Me, Kate" Great Performances 2025

Jeffrey Karasarides Profile Photo
Jeffrey Karasarides
#2WSJ reviews "Kiss Me, Kate" Great Performances 2025
Posted: 5/31/25 at 7:27am

I caught it on PBS last night. As a longtime fan of director Bartlett Sher’s musical revivals, I was curious to see him take on Kiss Me, Kate. What I loved about his interpretations of South Pacific, The King & I, Fiddler on the Roof, and My Fair Lady is that on the outside, he gave them such big, lavish presentations. But on the inside, he treated the material with respect while also successfully approaching them with more modern sensibilities.

With this one in particular, it’s more of a full fledged comedy and not as weighty as what he’s taken on before. Although he still puts on this 76-year-old musical and presents it in a way that doesn’t make it feel dated at all. All of the designs are elegant with Michael Yeargan’s set being the standout. The musical numbers are a ton of fun. Everyone in the cast gives great performances, especially Stephanie J. Block.

binau Profile Photo
binau
#3WSJ reviews "Kiss Me, Kate" Great Performances 2025
Posted: 5/31/25 at 9:19am

Any thoughts on how this compares to the 2019 roundabout revival? I haven't really wanted to look into it because I'm happy to keep those memories. 


"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022) "Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009) "Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000

merle57
#4WSJ reviews "Kiss Me, Kate" Great Performances 2025
Posted: 5/31/25 at 10:36am

Bart Sher's production of Kiss Me, Kate very successfully breathed life into a somewhat dated classic. His Lilli brought so much nuance into her conflicted feelings for Fred. The use of the revolving stage was particularly effective in highlighting the onstage-backstage conflict, especially when Lilli storms off stage after he threatens her physically in the Taming of the Shrew scene. She handled the sexism of the original well in a speech Fred addresses to the show-within-a-show audience. the gangsters were hilarious. The dancing was very strong, more modernized than the 1998 revival. I did miss Brian Stokes Mitchell's resonant singing for Fred, but liked this actor's bemused interaction with Lilli in their scenes. There was always a sense that they both still loved each other, which became obvious when Sher had her overhear his reprise of So In Love -- a very nice directorial touch. Highly enjoyable, felt like an up to date musical, not a dated operetta which Kate can often seem like. 

BentleyB
#5WSJ reviews "Kiss Me, Kate" Great Performances 2025
Posted: 5/31/25 at 4:41pm

binau said: "Any thoughts on how this compares to the 2019 roundabout revival? I haven't really wanted to look into it because I'm happy to keep those memories."

I liked this much better than the revival.   I thought the revival was like stale toast to be honest.  It felt more like a museum piece than this did.  This seamed lively and I loved the set design.  

nativenewyorker2
#6WSJ reviews "Kiss Me, Kate" Great Performances 2025
Posted: 5/31/25 at 9:59pm

Was there always a book scene/exposition before “Another Opening”? If I recall correctly, the song used to happen right after the overture 


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