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#1

Wanted and Galileo - Changes for Broadway?

Has there been any info on what changes both shows made since out of town? I'm curious if they addressed the issues with both (books especially!) or if they made lateral changes as seems to happen too often these days.

#2

Wanted and Galileo - Changes for Broadway?

I've heard Galileo has made rather substantial changes, but not being familiar with the show as it was I can't really comment on what that means.


"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
#3

Wanted and Galileo - Changes for Broadway?

mitchern said: "Has there been any info on what changes both shows made since out of town? I'm curious if they addressed the issues with both (books especially!) or if they made lateral changes as seems to happen too often these days."

I keep getting TikToks from Ross Baum (the composer of Wanted) about their path to Broadway. I haven't watched them, tbh, but you might find some answers there.

#4

Wanted and Galileo - Changes for Broadway?

Can’t speak to Galileo at all but I have heard Wanted has changed drastically - the entirely new title and set design are topline notes but I have no doubt there is also plenty of new book and musical content. It was a big show at Papermill and AFAIK it has had multiple major work sessions since that time. I’d wager it will feel like how it felt seeing Suffs on Broadway after the run at The Public.

As for how good those changes are? We’ll see.

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