I had a lot of issues with The Inheritance - in the way it was written, and in the way it was directed. But I think it grew on me in the weeks/months after I saw it. The longer I sat with it, the more I appreciated its strong points and forgot/forgave its numerous flaws.
But then I kind of stopped thinking about it for the past year - it really just hasn't occupied much space in my mind, and so I think that caused me to feel more cold toward it. And even as recently as last night I was kind of indifferent about its Best Play win. But today I've been reflecting back on it more, and once again I'm finding myself more impressed in retrospect with Matthew Lopez's dramaturgical achievement. And I feel more at peace with its Tony wins than I did last night (though I still would've voted for Sound Inside)
I actually like the idea of seeing a production that utilizes Daldry's staging and concepts, but someone else directing the actors. IMO Daldry has a tendency to encourage overacting. Some actors manage to overcome it, but I feel like they do so in spite of his direction rather than because of it.
Updated On: 9/27/21 at 06:48 PM