Will COVID End The Broadway Chorus?

I saw a comment someone made about how difficult it will be to social distance in dressing rooms, especially in shows with big ensembles. I've been in shows with even a small chorus, and we're often packed by the dozen into a small dressing room like sardines, huddling around each other to get a look in the mirror. On top of that, the more people in a show, the higher weekly operating costs are. It makes me wonder if this might bring the end to the singing and dancing ensembles commonly associated with musicals.

Many modern musicals, like Dear Evan Hansen and Next to Normal, are written without an ensemble. Even some shows that traditionally have an ensemble, like Sweeney Todd, are performed without, such as in the 2005 revival.

Personally, I find that I enjoy musicals with smaller casts more. It creates a sense of intimacy and robustness that contrasts with the bombastic nature of singing and dancing. However, I really enjoy shows with dancing ensembles, like Something Rotten or Hamilton. That large a group of people can do things you can't do with 6 or 8 people.

I can't help but think that with Broadway having to tighten it's belt, both in terms of money and space, that the Chorus is on it's way out. But I'd be lying if I said I wasn't sad to see it go.

Broadway won't open with social distancing restrictions. In the audience and on the other side of the proscenium. And you can have a show with a cast of 4 with a weekly nut of $600k and a show with a cast of 24 with a nut of $400k. In case that wasn't clear, the answer is "no."

itsjustmejonhotmailcom said: "Broadway won't open with social distancing restrictions. In the audience and on the other side of the proscenium. Andyou can have a show with a cast of 4 with a weekly nut of $600k and a show with a cast of 24 with a nut of $400k. In case thatwasn't clear, the answer is "no.""

I’m curious why you think it won’t? The IATSE guidelines report specifically have social distancing measures in place for backstage and FOH positions. And it also outlines contingencies/work arounds for some of the areas where distancing is not possible, like wardrobe/HMU

Updated On: 7/22/20 at 08:57 PM

Sampatches said:
I’m curious why you think it won’t? TheIATSE guidelines report specifically have social distancing measures in place for backstage and FOH positions. And it also outlines contingencies/work arounds forsome of the areas where distancing is not possible, like wardrobe/HMU"

MAYBE small shows could come back, but without the big shows with the high weekly costs their foot traffic is even smaller than usual. Add on general fear of returning to theatre for tourists. These are guidelines and a best case scenario, but THE plan that will continue to be in flux. Broadway simply cannot be open running at best half capacity because the money is not there. Unless tourists are there (which they won't be considering the current rotating list of 31 states that require a 14 day quarantine upon arrival to New York) they'd never even reach the hypothetical 50% capacity. These guidelines scream like their Union members demanded a plan regardless of the practicality of Broadway opening.

As for the death of the chorus? That is foolish.Unless we're all going to never be close to anyone again it's a joke to think Broadway actors will never be in close proximity again. This is an illness one that will be brought under control in time either by its natural course (resulting in a lot of death) or our very much delayed response with lack of federal responsibility to it.

Exactly, Hogan...

Whatever happens it will be quite a while before we see Broadway back to normal. Because it's NYC.

I agree that this thing will eventually find a vaccine, but if not immediately, at least in the interim a treatment that will allow the country to return to some sense of normalcy....even if it's not what it was before in totality.

With Broadway being in NY, and more specifically NYC, this will be monitored with even more precision, because it has to be. The way the state and city handled the virus at its onset became an international focal point for what not to do. They've seemingly corrected it and things have improved. Still a ways to go considering the nature of what Broadway theater is though.

I think jukebox musicals help sustain the need for a chorus/larger cast. There are exceptions but particularly for shows built around the catalog of a solo performer, I think a level of spectacle is usually required. Or at least deemed necessary by the creative team.

The chorus wont disappear for ever but I don’t think that it is realistic to say that Broadway won’t reopen until it is able to operate at 100% pre Pandemic capacity. That is neither in the good of the theatre community or required There will probably be a certain degree of deintensity carried out at first and temporarily suspending the chorus would be an easy way to reduce the number of bodies in the space without hurting the central storyline or cutting revenue.