>> Sometimes , though, you just have to take a chance
Sometimes it comes down to, am I willing to risk that much money? When Michael and I came to NY last year, we took in three shows (Urban Cowboy, MoLM, and Night Music at NYCO) for a total cost of almost four hundred bucks US (and that was using TKTS for the first two). That's a lot of cash, folks, and I can only write off so much to Revenue Canada before they start getting suspicious. :)
"That duck was a sexual toy, and it was on display!" -- an unknown Nashville town leader
Some London Stinkers included.... "Mutiny"...set on The Bounty..I got seasick "Love Me Tender"...I left the building before Elvis. "Buddy".......British accents go to Texas.... "Mama Mia"....thats a one stinky meatball!!
Jekyll and Hyde is the only musical that has made me bolt the theatre during the curtain call.
I enjoyed Saturday Night Fever and even Fame (on tour a few years ago) because they were fun and didn't take themselves too seriously. Unlike Jekyll and Hyde.
Oh God, my favourite utterly, completely bad piece of theatre -- I can't believe I forgot this when the thread started...
Barbary Coast, a bound for Broadway musical that started life in San Francisco in about 1982 or so. Written by a guy in LA who made a fortune in real estate, it was the story of Gentleman Jim Corbett, the boxer, and Cynthia Whatever Her Name was, some socialite Jim was hopelessly in love with. Set at the beginning of the century, the opening number ("We're on the Barbary/We're on the Barbary/We've on the Barbary Coast!") had no less than four fullstage set changes, including a cable car on a revolve that was never used again the rest of the evening. This thing was enormous, with scenery set at 3" centres, and I commented to Steve (my date) that the only thing this thing was missing was the Transamerica Tower (that's the pyramid shaped building in SF).
So we go back in for Act Two. More bad songs. More lavish scenery. More of Jim and Cynthia consciously avoiding each other. Then, three quarters of the way into the second act, they're outside his saloon (in the Barbary Coast, of course), and she says, Jim, say the words that will make me stop loving you!, spins on her heel, and walks off.
BAM -- here comes the Earthquake.
Now, the earthquake is suggested by everyone shaking a piece of scenery, a chandelier from a ballroom scene that came down, stayed for about five seconds, then went right back up when someone figured out they'd grabbed the wrong line. The chorus runs back and forth on the forestage while a sound like someone flushed every toilet backstage roars out.
Blackout.
Lights up on the chorus in their Ace bandages, decoratively placed in front of a drop that looks like thew view from the top of Russian Hill down to the Wharf, with smoke and ruins and all that. Jim and Cynthia rush to centre stage, decide they've been right for each other all along, and (I swear, guys, this was in there) promise to get married as soon as they make sure her husband died in the quake. The chorus, healed through the power of love, rises and comes down in a line, singing "Love is like a day in spring/Love makes you do strange thing" (cringe! cringe!). Behind them, the ruins drop goes up to show the Daly City Hills south of the city, with the sun coming up behind them. Then out of the flies: the Golden Gate Bridge, the Bank of America Building, the Hyatt Regency Hotel, and -- you guessed it -- the Transamerica.
I couldn't stop laughing at this point. Then, this rather large woman in front of me turned around and snapped, "Young man, I dont know what you find so funny. I think this is wholesome family entertainment."
I had to leave the theatre, I wasx laughing so hard.
Oh my god, what a night.....
"That duck was a sexual toy, and it was on display!" -- an unknown Nashville town leader
Re: "She thinks my tractor's sexy" was the big Act One Finale/ Hey, c'mon, that's a fun song!
Mr.Martin, perhaps I should have mentioned that during this number, a hillbilly clown was singing in the most horrid southern accent known to mankind and the "tractor" was literally a Fisher-Price toy that he pedalled out as the curtain came down on Act 1. Oh, and in Act 2, the same person came out sans clown makeup in a tux singing "Amazing Grace" and tried to convert everyone in the audience to Christainity. I want my money back.
>> Mr.Martin, perhaps I should have mentioned that during this number, a hillbilly clown was singing in the most horrid southern accent known to mankind and the "tractor" was literally a Fisher-Price toy that he pedalled out as the curtain came down on Act 1.
Well, see, that's just bad staging. The song's still fun, but that staging would have killed even the best song.
"That duck was a sexual toy, and it was on display!" -- an unknown Nashville town leader
Ok, J. We get your point. I have never seen the show either but after hearing the cast recording, I am hooked. It is weird that I agree with you on a lot of things (usually about Webber) and disagree with you about a lot of others.
"They're eating her and then they're going to eat me. OH MY GOOOOOOOOOOOOOOOOOD!!!!" -Troll 2
that's usually the way it is but remember that I am mostly kidding and I have NOT seen CAROLINE MUST CHANGE I'm just assuming I won't like much. Doesn't look like my style.
I really hate "Blood Brothers." I think it's one of the most inept shows ever to hit a stage. I'll never forget the image of my friend with his fist literally stuffed in his mouth, tears streaming down his face as he tried not to laugh out loud at the sight of a grown man trying to pass as a seven-year-old.
A grown man playing a child? WHAT THE HELL WERE THEY THINKING?!?!