#1
Posted: 2/12/06 at 8:29pm
I have been reading the eleven o'clock number posts, which reminds me of a theory I have long had about certain numbers in musicals.
Often times what people think of as the eleven o'clock number puts many audience members to sleep. I believe there are many numbers in musicals which come towards the end of the show which don't quite live up to their potential. These are numbers that are often solo number, many times by the big star, that are supposed to be big and emotional, but instead put the audience to sleep.
Examples thereof:
"I'll forget you" from "The scarlet Pimpernell"
"I don't care Much" from "Cabaret"
"It Hurts to be Strong" from "Carrie"
"I Know where I've Been" from "Hairspray"
"I Know the Truth" from "miss Saigon"
"Flagmaker" from "Songs for a New World"
"Where am I going" from "Sweet Charity"
"I Guess I'll Miss the man" from "Pippin"
And others. I'd appreciate help in refining my so-called theory. I think some of these songs might work with the right perfrormers, but often because of miscasting and/ or poor staging, completely fall through. Then again, it could be the songs themselves, like with "Miss Saigon." Love the show. Hate that song.
What do you think?
Often times what people think of as the eleven o'clock number puts many audience members to sleep. I believe there are many numbers in musicals which come towards the end of the show which don't quite live up to their potential. These are numbers that are often solo number, many times by the big star, that are supposed to be big and emotional, but instead put the audience to sleep.
Examples thereof:
"I'll forget you" from "The scarlet Pimpernell"
"I don't care Much" from "Cabaret"
"It Hurts to be Strong" from "Carrie"
"I Know where I've Been" from "Hairspray"
"I Know the Truth" from "miss Saigon"
"Flagmaker" from "Songs for a New World"
"Where am I going" from "Sweet Charity"
"I Guess I'll Miss the man" from "Pippin"
And others. I'd appreciate help in refining my so-called theory. I think some of these songs might work with the right perfrormers, but often because of miscasting and/ or poor staging, completely fall through. Then again, it could be the songs themselves, like with "Miss Saigon." Love the show. Hate that song.
What do you think?