Profile for BroadwayAndSports

EDSOSLO858 said: "The secret has officially come out for our final opening night of the 2025-26 Broadway season.

Post ‘em here, folx… give me the good sh*t. 🧛‍♂️ 🧛‍♂️ 🧛‍♂️"

What time is the embargo lifted?

blug said: "Is the younger audience response to this similar to the positiveyounger audience response to Be More Chill?

In other words, is there something here for the grownups?"

I’d say it’s more like The Outsiders. Younger people are obsessed but still a whole lot to love for adults. 

The obvious answer seems to be to put her behind bulletproof glass like a politician and/or have her do it high enough (ie. on the roof) where she’s outside but further removed from the masses.

What’s a better seat for Ragtime, far side of the orchestra (Row G or H) or back of the Loge (Row E) but more central?

Jordan Catalano said: "Ivo also used cameras outside the theater in “Network”. Crazy to me how Jamie is credited as such a visionary for it when he lifted it from Ivo."

And excluding the music, it was very similar to what Lloyd ended up doing with Sunset IIRC. Scene started outside the theater and filmed them as they entered the theater until they ended up on stage. 

Has anyone heard any rumors about the cast? I heard it'll be a largely new cast but curious who it may be. 

I love this show, and Brody Grant is excellent in it, but I do wish they'd have him clean up his diction a little. I totally get what they're going for, but just a notch or two down from that mumbled style of singing would do wonders.

Jordan Catalano said: "Someone at “Illinoise” told me they’ll be doing one song and not a medley of any kind. The show wasdeciding between two, when they told me."

They really should do Chicago

This show got a raw deal on Broadway. I'm happy for them, especially the composers and Rob McClure. 

Listener said: "Past Is Catching Up To Me is definitely the best in Gatsby."

I have no idea why they haven't featured Past Is Catching Up To Me in one of their TV performances. I know Eva isn't in it, but it's legitimately great.

What do you think is the best song in each of the new musicals this season?

 

I'd love to hear what you all think! I haven't seen every new show but these are mine:

Suffs--The March

The Outsiders--Run Run Brother (or maybe Great Expectations) 

The Notebook--Leave The Light On (or My Days)

The Great Gatsby--Past Is Catching Up To Me (or My Green Light)

Days of Wine and Roses--Evanesce

Here Lies Love--Here Lies Love

Has anyone tried rush for this recently? Hoping to go tomorrow but not sure how early I can get there.

ardiem said: "I saw the Belasco transfer tonight and was kind of shocked at how much sound from outside bled through into the theater. I can't even count the number of times I heard Empire State of Mind blaring and overpowering the non-amplified sound from the stage."

Glad it wasn't just me. I went recently and the sirens were so loud and plentiful from inside the theater, I genuinely thought there might be a disaster happening outside. 

I genuinely don't understand how DTLI rated the reviews. Saying "there are problems but it's fun" is a positive review and saying "this is cheap and bland" is mixed??? Make it make sense.

 

I also don't get what people see in Schele Williams but that's just my opinion 

As of now Groff, BDJ, and Redmayne seem like locks to get nominated. Zien has a really strong change for the 4th slot. So probably just 1 slot for every other Lead Actor this season. 

No clue who wins though. 

1. Six

2. Spring Awakening

3. Paradise Square (entirely for Kalukango)

4. Mr. Saturday Night

5. Sondheim tribute 

6. MJ

7. A Strange Loop

8. Company

9. The Music Man

10. In Memoriam 

11. Girl From The North Country


 

 Girl From the North Country. Company Paradise Square In Memoriam Tribute. Mr Saturday Night. The Music Man.

This all seems like the same situation before the pandemic. Plays without big stars just don’t sell anymore, unless it’s Harry Potter. 
 

ErmengardeStopSniveling said: "This piece from Lee Seymour might be the bleakest assessment I've read of the current Broadway landscape. As expected, it's really bad for all but the biggest hits. Here are some highlights from the piece:


THE GOOD:

– At Six, the average ticket price is around $200, with premium seats topping out at $499.

– General consensus among industry veterans is thatWicked, Hamilton, The Lion King, Hadestown,andCompanyare all in strong financial health.

–The upcoming Thanksgiving holiday should give most shows a boost, especially now that international travel restrictions have been eased; overseas tourists once accounted for one-fifth of Broadway buyers. And the Christmas-New-Years frame should be even better.



THE BAD:

– “Joyless,” is how one seasoned producer described the industry for those not working on megahits. “We’re all exhausted. And winter’s only going to be worse, unless you’re one of, like, seven shows. I’ve seen numbers for others, and some aren’t even grossing six figures. It’s awful.”

– Several producers who have been waiting to launch new plays have decided to hold off even longer, aiming for the fall of 2022 rather than the spring.“I’ve seen enough,” said one. “We can’t keep pretending that we’re back to normal. The audience just isn’t there yet for a lot of us. There is absolutely no reason not to postpone until the market signals it’s ready.”

–“This winter will be bad,” said one producer attached to several shows aiming for Broadway in 2022. “A lot of theaters will be sitting empty. So let them sit. We all need to reflect and be super intentional about our plans. We can’t rush into the spring the way a lot of us rushed into the fall.”

– Buyers are more discerning about how they emerge from their pandemic shells. If they can’t get a ticket toHamilton, they’re not going to pivot and seeDianainstead, simply because it’s also on Broadway."