In Tulsa, Oklahoma, 1967, Ponyboy Curtis, his best friend Johnny Cade and their Greaser family of “outsiders” battle with their affluent rivals, the Socs. This thrilling new Broadway musical navigates the complexities of self-discovery as the Greasers dream about who they want to become in a world that may never accept them. With a dynamic original score, THE OUTSIDERS is a story of friendship, family, belonging… and the realization that there is still “lots of good in the world.”
Adapted from S.E. Hinton’s seminal book and Francis Ford Coppola’s iconic film, THE OUTSIDERS features a book by Adam Rapp with Justin Levine, music and lyrics by Jamestown Revival (Jonathan Clay & Zach Chance) and Justin Levine, music supervision, orchestration & arrangements by Justin Levine, choreography by Rick Kuperman & Jeff Kuperman and directed by Danya Taymor.
Previews began on March 16 at the Bernard B. Jacobs Theatre and the production officially opens on April 11.
The responses on this board have me quite optimistic this might pull into the Best Musical favorite slot, so I'm very curious to see how this turns out.
For some reason, I think it's going to draw more positives than mixed, but will not be a NYT critics' pick leaving us all to wonder how Water for Elephants was.
This story in Playbill has a great teaser video that brings back memories of when I saw the show two weeks ago. It's one of those rare shows I would see again in a heartbeat f I lived in NY. Fingers crossed for good reviews tonight!
After just seeing the show yesterday, I'd expect mixed to positive (leaning positive) notices. It's one of the freshest shows in a middling season, and there's plenty of opportunities for Tony nominations. While the sum of its parts are greater than it's whole, it's still an engaging and entertaining show with some breakout performances. And the hunk factor doesn't hurt either.
I think it will have positive reviews. We saw it the night it began previews and have not seen it since. I felt it was incredibly strong for a first preview and hope it has only grown stronger. Looking forward to seeing it again in June.
I doubt the review embargo has lifted yet, and that's probably just a placeholder page that shouldn't have gone live. A Google search returns Theatermania's review, as well, with the headline "The Outsiders Becomes a Soggy Broadway Musical," but that page isn't live, either.
Mostly negative. Forgettable cast in a fairly boring adaptation. Rumble will get all the attention despite it being cool stylistically but lacks a dramatic arc.
TaffyDavenport said: "I doubt the review embargo has lifted yet, and that's probably just a placeholder page that shouldn't have gone live. A Google search returns Theatermania's review, as well, with the headline "The Outsiders Becomes a Soggy Broadway Musical," but that page isn't live, either."
A little borrowing from the headline of Jesse's NYT review for The Notebook.
"It’s a strange paradox of Broadway that its bigness, when used humbly, can honor quite delicate ideas. Whether it can sustain them is another story. In “The Outsiders,” they are not sustained; the structural problems mean its achievements don’t stick. But they’re still achievements, and a show need not be for the ages to be for the moment. In that sense it’s fair, citing Frost, to call it golden — nature’s “hardest hue to hold.”"
"While all the production’s elements seem to be in place — the cast, even when its acting chops falter, is, musically, a full-throated and easy-to-like ensemble — The Outsiders often feels like a musical that wants to hang with the grown-ups while unable to leave behind its adolescent earnestness and self-involvement. A more thoughtfully adult production might invent some credible consequences for a negligent, deadly arson, a fatal stabbing and a train derailment, all of which are presented, true to S.E. Hinton, as temporary glitches in the self-actualization of a 14-year-old boy."
" in its new musical form — with a score and lyrics by the folk duo Zach Chance and Jonathan Clay, known as Jamestown Revival, along with Justin Levine — The Outsiders is taking a real swing at being the strongest entry in this season’s wave of singer-songwriter outings on Broadway. We’re living in a post–Sara Bareilles age: Ingrid Michaelson, PigPen Theatre Co., Shaina Taub, and Anaïs Mitchell are all currently waving at one other from around Times Square. But whether or not the same people who make catchy pop records can also craft a solid score is another question. Chance, Clay, and Levine can, and if The Outsiders sometimes traffics, perhaps unavoidably, in cliché, it makes up for it with the tenderness and muscle of not just its songs but its staging and performances."
"It’s a strange paradox of Broadway that its bigness, when used humbly, can honor quite delicate ideas. Whether it can sustain them is another story. In “The Outsiders,” they are not sustained; the structural problems mean its achievements don’t stick. But they’re still achievements, and a show need not be for the ages to be for the moment. In that sense it’s fair, citing Frost, to call it golden — nature’s “hardest hue to hold.”""
The structural problems were my biggest nit as well but I still enjoyed the show overall.