Profile for MaryMag

I must choose which one to see. I want to see whichever one is better. I understand that "from up here" being off broadway doesn't mean that it's a lower quality show. I adore julie white, as well. I'd also like to see whichever one is most likely to be done in regional theaters (i.e., whichever one I may actually audition for some day.) Anyone who's seen either or both care to weigh in? Thank you!

When I think perfect and pure, good technique seems mandatory. A lot of people listed have terrible technique!

Could anyone who has seen this play or knows anything about it please private message me? I can find little information on it aside from one paragraph-long synopsis. Your help is greatly appreciated!

Hello friends that have a much better knowledge of musical theater than me. Help me out? I'm looking for musicals that make fun of themselves and the conventions of musical theater, similar to forbidden broadway, urinetown, and spamalot.

ohhh Master L, oh dear Master L, would you deign to help marymag out with finding sheet music or the score to songs from an unmade bed? it's amazing. just gorgeous.

Totally tangential: Just watched Terminator 3 last night. Guess who was in it? The new Eliza Doolittle. Hilarious.

I hear that the top theater in my city has secured rights to it for their upcoming season. I'm picking my 16bars for it as we speak!

quoting heymrmusic: BroadwayAbridged, when I did the play, the director had the Masked Man in practically every scene overlooking the action and sometimes making the action happen. Kind of like the Broadway version of the Proprietor in Assassins. For example, the Masked Man offered the switch to Melchior, pantomimed the story about the queen with no head, and held the bunches of grapes in the Hans Rilow/Ernst Robel scene, among other things to that effect. That way, when he popped out and spo...

why don't i remember him from Lost?????? I was fricking fracking fanatical about that show!

AMEN

Where in the world can I purhcase it? Any links would be greatly appreciated. I know it's on a karaoke CD but that is not what I need and I know that it's not in the vocal selections. Grrrrrowl. It would suit this one audition SO WELL... help a sista out?

I hate it when people boo upon hearing an u/s will be performing because I hate it when people assume the understudy is worse than the regular actor. In some cases, the u/s is BETTER than the regular actor because the regular actor is just a name or D-list celebrity and the u/s is the one with real talent. Further, I hate how often audiences at operas boo. Conversely, I hate undeserved standing ovations. I guess I hate a lot of things!

I am embarassed by how emotionally connected to this show I am. I hope it goes away soon. I really hate being reduced to tears after hearing even a single bar of a song.

I was the barest of aquaintaces with a guy who saw her play Evita when she was 15. I forget exactly how he explained it, but he said that wasn't exactly the truth. If I remember right, I think he said she was IN it, and not the title role. But I could just be spreading internet gossip. Anyway, he brought it up cuz he said wikipedia was wrong.

Hope - A real soprano??? How exciting! What is her character actually like? I've heard she is an engenue, but beyond that, can anyone tell me more?