Jshan, I reported my experience at the rush earlier in the thread:
"For those curious about rush: I got there are at about 9:40 or so, and was about 5th or 6th in line. Side orchestra row C - marked as partial view, but I didn't miss a thing."
That was less than a week ago. I doubt it's gotten much more crowded since then.
I've seen 5 different productions, and worked on another; to me, it always seems to work best when it's at its smallest and cheapest. The point behind the spoof is that these six performers are trying to do the equivalent of an old Warner Brothers musical on a budget of about $50. The old Caffe Cino, where it started, had no set (except for mirror tiles on the wall), an 8x8 foot stage, thrown together thrift-store costumes, very few lights, glitter, and an audience of 50 (at most), mere inches from the actors.
Perhaps, though, it might be best to cut the spoof/satire element for today's audience - the thing that made Peters' performance work so well originally is that she knew that the audience remembered Ruby Keeler from those films. It wasn't so much that Keeler couldn't act, it was that she just didn't act. Her performances are models of dead-inside deadpan. If a modern audience, particularly the kind that go to Broadway musicals, wouldn't be able to recognize a satire (something most Broadway audiences can't do anyway), perhaps a glossier version of the show, with extended dance sequences that do little more for the show than give the cast more exercise, really is the way to go. But I just can't work up much enthusiasm for it...
I adored it. Two hours of great singing and dancing makes for a very fun and enjoyable show. It may not change your life but it will put a smile on your face. And what's not to love about that?
Jshan05 said: "Has anyone rushed this show recently? Wondering how the seats are and what time to get to the box office...so glad people are loving it!
"
I got there around 6:15pm last night for the 8pm show, and got E11 in the orchestra. Definitely partial view but not horrible.
What at a fun, charming little show.
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We caught the Saturday matinee and absolutely loved every minute of this show. We are subscribers to Encores! at City Center so this type of show is our favorite. The choreography is the star. I also really loved Davi and Bolton. My fingers are crossed that Davi is recognized come Tony nominations. She really was delightful.
i was in the rear Mezz in a TDF seat and had a good view but I will need to go back to see this again from a closer vantage point. I heartily recommend this show as I know it will be one of my favorites for the season.
Hey Melissa25, Just curious about your TDF seat. Was it in the last few rows of mezz? I'm considering going thru TDF, but was curious of seat locations via that venue. It's interesting that the show is opening in three weeks and there hasn't been much press about it. It's always been a favorite of mine, but would like to have a good view of course. Thanks.
I never saw the original production that catapulted Bernadette Peters to fame. I'm assuming Ruby is supposed to be the star of the piece. In the current production, however, Lesli Margherita is so hilariously over the top -- besides being an excellent tapper, something I didn't know from seeing her in MATILDA -- that, for me, she became the central character. Eloise Kropp, et. al. (especially the very funny John Bolton) were very able performers and fabulous dancers, but the focal point became confusing. It's one joke stretched pretty thinly, but still upbeat fun and not a bad way to spend two hours.
Thought it to be dull, drab and barely able to call itself a show. It appeared to be a cross between Anything Goes and 42nd Street with neither the melody of Cole Porter nor the pizzazz of Gower Champion's Chorepgraphy. Lesli Margherita (as Mona Kent) was great but too many times I was thinking she was channeling Patti LuPone in her acting. The only other stand out performer was Eloise Kropp (as Ruby). Eloise truly made you believe she was naive and she had the best number in the entire show at the end of act 2. Unfortunately, that one wow tap number wouldn't be the reason to go. The audience loved the show and was very reactive. Although this wasn't a hit for me it was nice to see that so many really did love it.
Thanks, Melissa25! Those mezzanine seats don't sound too bad. I work days so haven't seen any morning commercials, but will keep an eye out for it and any other press that comes out.
For those who have gotten the student rush tickets, did the Box Office ask for your student ID? After seeing the shows first preview and friends missing out the chance to see it last week I really want them to see it this coming weekend while they are in town again. I can't recall a single theater that's actually asked to see my ID when it's been listed as a 'student rush' and was wondering if it would be worth it to bring my friends to get tickets despite their not having student ID's.
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Not sure about this show itself, but both times I did the student rush for 'The Visit' they did ask for my ID. I know it's not the same show obviously, but I do think some shows are a little more strict than others...
Count me in on the plus side. Amazing performances all around and some great tap dancing. How can you not be drawn in by that talented cast who are all giving 110% ? It’s the perfect theatre for the show and I loved the clever opening. Nice full house and very receptive audience. The numbers are so catchy, clever and just plain fun. I enjoyed all of the cracker-jack cast and thought they each uniquely fit their roles. Skinner gave them some pretty intense tap choreography, and you’re not going to find just any great singer to pull off that material. You hear every delicious, syncopated sound. In STAR TAR, Eloise Kropp did some of the best tap dancing from a female lead on Broadway since I can remember. Fantastic!
For Trish2, there are several articles out there on the show. I’ve included some below.
CukorLover said: " Count me in on the plus side. Amazing performances all around and some great tap dancing. How can you not be drawn in by that talented cast who are all giving 110% ? It’s the perfect theatre for the show and I loved the clever opening. Nice full house and very receptive audience. The numbers are so catchy, clever and just plain fun. I enjoyed all of the cracker-jack cast and thought they each uniquely fit their roles. Skinner gave them some pretty intense tap choreography, and you’re not going to find just any great singer to pull off that material. You hear every delicious, syncopated sound. In STAR TAR, Eloise Kropp did some of the best tap dancing from a female lead on Broadway since I can remember. Fantastic! For Trish2, there are several articles out there on the show. I’ve included some below: The director: