I'm a professional. Whenever something goes wrong on stage, I know how to handle it so no one ever remembers. I flash my %#$&.
"Jayne just sat there while Gina flailed around the stage like an idiot."
If the show is ready and a theatre available, hopefully we'll have 2 Menken tuners on Bway next season (Leap of Faith). And we get a movie score this November too: Disney's Tangled. Menken-mania!
I hope it has some revisions in the works. What I saw in London was slightly above mediocre. A few funny moments, half a good score (all the songs for the men need to be replaced), unnecessarily huge sets, and a lazy, lopsided book. And if you're going to definitely set the action in the late 70s, you really need to remove some of the 80s references and orchestrations.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
The St. James Theatre will definitely be open by 2011 as will the Marquis. I think the show is too big for the Al Hirschfeld Theatre. The Broadway Theatre could be open in 2011 depending on how Promises, Promises does when Chenoweth leaves.
"There’s nothing quite like the power and the passion of Broadway music. "
I was wondering that myself. The Palace will be open by then and its location is right in the middle of Times Square. I would think they would want the Palace most.
"There’s nothing quite like the power and the passion of Broadway music. "
Zaks did a terrific job with the 1987 revival of "Anything Goes" and the 1992 revival of "Guys & Dolls," but he has not lived up to those shows with his latest work.
Yes, this change of director doesn't seem to have caused much of a stir. If you cast your mind back to rehearsals of Sister Act, rumour was that Anthony van Laast was doing most of the work. Looks like a quiet coup has happened at the top of this production. Zaks didn't exactly turn Addams Family around. Like Mr Abbott, he may be in slow decline in his later years.