When you guys say Bridges is going to get a lot of nominations what are you thinking? Best Musical Best Score Best Actor Best Actress Best Orchestrations Anything else in a season thick with musicals would be a stretch
I could also see Bridges getting noms for lighting and sound design. If they like it enough, Sher might even get a nom, but I think that's very iffy at this point.
Norman's book is, IMHO (and according to the reviews), one of the weakest things about the show--if she gets a nom, it means they REALLY liked it. Cass Morgan (and perhaps even Hunter Foster) could get a nom, but the featured categories are really packed this year.
Unless "Once" gets a name in the show for the Fall, it looks like it'll be gone by Labor Day. Maybe Kazee & Milioti could return to the show?
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
Even if the book of Bridges is the weakest aspect if the show, it's likely to get in by default- plus I don't think they will snub Marsha Norman . I think Hunter Foster stands a strong chance at a nomination.
Bridges is my favorite musical of the season. I know it has no chance of winning the big prize, but it's still a gem of a show. I don't think this is THE production of the show, and I'm curious to see how other directors interpret the material.
I saw Rocky. It's terrible. The only new musical I haven't seen is If/Then, and I think the "best" new musical is something from the fall.
'Unless "Once" gets a name in the show for the Fall, it looks like it'll be gone by Labor Day. Maybe Kazee & Milioti could return to the show?'
Milioti could bring in audiences since she's now known to a wider audience due to her appearance on How I Met Your Mother and The Wolf of Wolf Street. Not sure if she'd do it though, I'd love to see Zrinka Cvitesic come over and do the role of Girl on Broadway.
I imagine the NUT for ONCe is low, but the actors are probably making a mint since they can probably get orchestra pay plus their actor's salary. But I still can't imagine it cost that much to run, and they've already paid back their investors. I could see this show running for awhile at low grosses.
Once recouped in just 21 weeks(August 2012). It's been doing well since then and has just started to see it's grosses dip low.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
I saw her in Millie and Anything Goes and liked her fine. But then I made the mistake of watching "Bunheads", and man - she was SUCH a beating. She's not a draw for me as a twice-a-year or so NYC visitor.
I know it has no chance of winning the big prize, but it's still a gem of a show.
While I certainly wouldn’t put money on it, I wouldn’t count it out, either. There doesn’t seem to be a clear-cut musical in the lead and, if it gets a large amount of nominations (which I think it stands a good chance at), I could see it building momentum toward earning the big prize.
My guess is this is what the producers are thinking (and hoping) my happen, too. If this were last year, where it was clear that it would be “Kinky” and “Matilda” vying for Best Musical (and nearly all other nominations in between), I bet they would have closed up shop by now. Luckily, this year, it does have a shot at doing quite well at the Tony’s. (And, if it is among the most nominated shows of the season, it could be one of the few examples of nominations giving a boost to sales.)
However, this sentiment is true, for me, of nearly all of the new musicals this year. Nearly every show has been received so vastly different by both audience members and critics (except “Gentlemen’s,” but I think, it being a small show of a very specific style that opened earlier in the season, it might have a tougher time fighting against the “big” shows), that I don’t feel confident counting out any show. I actually think there may be no clear front-runners when the nominations arrive. Because of the widely differing opinions on nearly all of the shows, I could see the nominations being very spread out as opposed to a couple of shows earning nominations in nearly all categories.