Beautiful, to me, is the exemplary juxebox musical - because the book was really strong. I just cannot get behind someone writing a lousy book when the music is all there already. It relieves a tremendous amount of the work. Makes me appreciate all original musicals quite a bit more, even those I dislike.
It seems there is excitement around this show. I have absolutely none. Am I the only one that feels that Gloria and the MSM's music is extremely dated and lackluster? I have no desire to see this show. Also, it will most likely tour so I'll end up stuck with it in my subscription package. You couldn't pay me to see this.
The music of Carole King and Valli are iconic and changed music. Gloria Estefan-mediocre pop? Meh.
"The sexual energy between the mother and son really concerns me!"-random woman behind me at Next to Normal
"I want to meet him after and bang him!"-random woman who exposed her breasts at Rock of Ages, referring to James Carpinello
^Then don't watch the show, exchange it out in your subscription package!! That's what I did to my Gentleman's Guide tix part of my season tix package. I've seen it once in NYC and once is too many! Hope you can do so with yours.
As for On your Feet I love this show, seen it in Chicago during tryouts and it is in my lineup to watch in my Jan 2016 NYC trip. But I grew up loving Gloria and MSM music, it is great to see their story and music put on stage
"Beautiful, to me, is the exemplary juxebox musical - because the book was really strong. I just cannot get behind someone writing a lousy book when the music is all there already. It relieves a tremendous amount of the work. Makes me appreciate all original musicals quite a bit more, even those I dislike."
Funny, I thought Beautiful's book was lazy, full of audience pandering, and occasionally face-palm worthy. I believe many reviews pointed out the Book being the weakest point of the show. Different strokes, I suppose.
-There's the muddle in the middle. There's the puddle where the poodle did the piddle."
I saw the show again last night, and I enjoyed it just as much the second time as I did the first time. Sure, the book is very cheesy at times, but overall the show works for me. It is just a FUN show that is very entertaining IMO. The music is the star of the show, and all the songs are so well performed. The one thing that did bother me about the show is the set. The sliding and rotating panels of shutters just looked cheap to me. I also found a lot of the projections to be slightly on the tacky side. It doesn't really look or feel like a Broadway set.
"There’s nothing quite like the power and the passion of Broadway music. "
Funny, I thought Beautiful's book was lazy, full of audience pandering, and occasionally face-palm worthy. I believe many reviews pointed out the Book being the weakest point of the show. Different strokes, I suppose.
Yikes - if you (and critics I suppose) thought that of Beautiful, then be prepared for OYF's book to be utterly savaged.
musikman said: "Funny, I thought Beautiful's book was lazy, full of audience pandering, and occasionally face-palm worthy. I believe many reviews pointed out the Book being the weakest point of the show. Different strokes, I suppose."
Me too. I enjoyed Beautiful, but for the scenic design, music, and stellar performances. The book, however, was far from good. Shocked that it even got a Tony nod.
Saw this tonight from the Mezz, which was VERY empty.
I can't say I loved it or even liked it. I don't think Estefan's music is all that interesting either vocally or lyrically. The songs don't tell a story or really say anything interesting or profound. Sure, they're fun to listen to, but for context to a musical they are pretty lame.
The book is just downright awful. There's no dramatic tension, no anything. There's not even interesting insight into the industry - like Beautiful. It's just very basic.
I think it's Mitchell's worst directing. I don't know if it was because of the book, but he made some weird ass choices. Like when they meet for the first time and everything dissolves slowly until it is just them.... and then everyone just comes back on abruptly. Some of the staging seemed a bit wonky and oddly positioned.
All the actors were fine. Ana was in great voice, but again, the songs aren't exactly vocally interesting or show-offy, and there's really only one scene that asks her to do any dramatic acting, which.... was a little ho-hum. It's not a Tony winning role. Josh was fine, but his line readings, which I'm sure are a great impression of the real guy, were so dry and one-note that when he spoke for long periods of time my mind drifted. Or like in his solo songs, the band drowned him out.
The set was fine, if a little Vegas show. Nothing really spoke of the time or the place very well. Just random pictures of brick buildings and palm trees. I didn't know if they were in Miami or Cuba half the time.
Act 2 draaaaags so hard. There's just ballad after ballad after ballad. I was so bored. The story is just so wonky. She crashes, she gets better. That's it. Not other point to the story. Stupid.
I wasn't sure what thread to bump. I've just realized that I haven't been in the Marquis since The Drowsy Chaperone and I have no idea where the box office is. I'm picking up tickets. Can someone tell me where I need to go?