(I'm sure some of you have visited this website...)
For those of you who haven't, here's a snippet from the parody of Caroline, or Change:
Silence again.
CAROLINE
I SAID, WHAT HAPPENS WHEN I--
THREE SUPREME-LIKE FEMALES
(entering)
Hey, sorry about that. We're doing triple duty; we had to
rush over from the Virginia Theatre to do scene one from
Little Shop of Horrors.
CAROLINE
Well, Radio, can you sing a song for me?
THREE SUPREME-LIKE FEMALES
Sure.
(Sings:)
AIN'T NOTHING LIKE THE REAL THING BABY,
AIN'T NOTHING LIKE THE REAL TH--
A watch alarm beeps.
THREE SUPREME-LIKE FEMALES
Oh, sorry about that. We need to rush over to the Neil Simon
Theatre, turns out we're in the third scene of Hairspray.
This is a VERY funny site...not updated too often, but have laughed out loud reading these "synopses"
Similar to Television Without Pity
See my sig!
maybe I am losing my sense of humor, because I used to like the site, but now I think it's rubbish.
Seriously, that's the best he could do with DRS?
Lord.
And way to copy FB.
I love the mention in the Streetcar parody about the fans representing New Orleans. I have seen so many productions of Streetcar and the sets were always strange. I don't think there is a set designer for this show who has ever been to New Orleans.
Yes, the DRS one could be better, but I think the entire Assassins one is just amazing.
I can't even read this crap anymore.
I really like this one:
KELLI O'HARA
Even though you're not learning any words or ANYTHING, your English is somehow getting BETTER and BETTER!
HELLO! Someone missed the scene where Franca begins to tutor Fabrizio.
Sorry, if you are gonna parody somehting, do it right.
Stand-by Joined: 7/28/04
I think the point of it is how - over the course of a 2 and half hour musical - a girl who is suppose to be "slow" can suddenly learn perfect italian. For someone who happens to have liked the show and really enjoyed Kelli O'Hara's performance, it doesn't makes sense. Or why, after an entire 1st act of songs and scenes in italian does the mother (and Lucas) feel it neccesary to break the forth wall and talk to the audience like we are idiots. We got it the first act, why explain it now?
NATASHA RICHARDSON
Well we're not in Germany, John. We're in New Orleans.
JOHN C. REILLY
How can you (and the audience) tell?
NATASHA RICHARDSON
Because of the six dozen fans that are twirling on our set,
which obviously mean "New Orleans". I hope that the
combination of this DISTRACTING HYPNOTIC MOVEMENT and my
tendency to SPEAK MY MONOLOGUES SLOWER THAN TIME ITSELF
doesn't cause the audience to DRIFT OFF.
(pause)
Oh. It's been five minutes. I should somehow meaninglessly
mention the word "DESIRE" because it's in the title.
I love Broadway Abridged... it's hilarious. I even laugh at the ones I haven't seen, haha. The Wicked one was great.
SEATTLE
Hey Idina, great singing!
LOL.
The "Streetcar" one is hilarious.
http://broadwayabridged.com/scripts/streetcar.shtml
These are parodies...not to be taken so seriously...and if you think it is crap, dont read it...even if I loved the show (Piazza) it is still funny.
The one for Wicked is REALLY funny. and really true.
They talk about how Idina's mic was WAYYY too loud then they say:
SEATTLE: Hey, Idina, great singing!
"I think it was the Korean tour or something. They were all frickin' asian!" -Zoran912
I think the La Cage one is so funny and also extremely accurate... I saw the show and liked it, but had the exact same thoughts as the parody did.
Broadway Legend Joined: 4/16/05
The Assassins one was my absolute favorite!
(Wicked, Brooklyn, and Little Women right after it)
My favourite from Wicked:
"Hey Idina, let's go see a show!"
"What show? OZ-Mania?!?"
"Actually, I was just considering walking out of the Gershwin Theatre and catching the rest of Avenue Q."
except ragtime, it was referring to Fabrizio learning English
The Fiddler one rocks! It's hysterical.
Broadwayabridged.com rocks!
One of my favorite scripts is Caroline, or Change. This line is hysterical:
LARGE BLACK WOMAN
MOON CHANGE! Oh, by the way, I'm a different large black
woman than the one who played the washer. You won't be able
to tell the parts weren't double-cast until the curtain call.
It's funny because it's true
I love Gil's work. Some of it is better than others, but I think he does a good job exposing the holes, oddities, etc. in what's currently on Broadway. I'd like to see him get around to tackling the classics (based on their scripts, of course, not their staging). And he openly acknowledges in one script (Spamalot, maybe?) that he's ripped off Forbidden Broadway's style and put it on paper. But you know what? I visit his site every few weeks and enjoy it just as much as FB, so more power to him.
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