I am really worrying this won't make it to Broadway which is a shame because it was wonderful. More than anything, it need NEEDS to be given to Samuel French for licensing. It would enjoy such a richer life. A cast recording would be nice.
I am longing to see/hear any part of it again. Does anyone know of any audio or video clips of it anywhere on the internet?
I have a friend on the Student Board and he said it was going to have another tryout in another city. If it does well there, they will transfer it. Zhivago is also planning to transfer.
I have a friend who worked on it, who says it is transfering but there is still a question of when... plus they facility that will work with the technological aspects of this production.
well part of this issue is waiting for an appropriate theatre to open up with enough notice to mave the show in. The imperial is open, at the last minute. Last I heard, plans are in place..... but sadly we have to wait to see it.
And the point is not just a space but a space that would work with La Jolla's brilliantly immersive production. A traditional proscenium space is pretty much just not going to cut it.
Sondhead; Who said anything about hating it? And I love this musical.. but this current production needed a lot of work. And the critical response it received was mixed at best.
Roxy. That would be wonderful. I miss that theater. So many memories. And just so gorgeous. It was what a beautiful broadway house should be without having to try.
The real shame is that the 50th anniversary of My Fair Lady came and went this year. It would have been the perfect time for the Hellinger to return to legit use, with My Fair Lady ensconced in its original home.
Begin at the beginning and go on till you come to the end: then stop.
The church bought it outright from the Nederlander Organization in the early '90s. So until they outgrow it, chances are slim that it will return to legit use.
Begin at the beginning and go on till you come to the end: then stop.
The production team behind La Jolla's production of The Wiz are still very much interested in bringing it to New York. They are just waiting for a suitable theater to open up.
Tonya Pinkins: Then we had a "Lot's Wife" last June that was my personal favorite. I'm still trying to get them to let me sing it at some performance where we get to sing an excerpt that's gone.
Tony Kushner: You can sing it at my funeral.
I don't know when it's coming but I know our school had tried to get the rights to do a school production and they froze them in the middle of our purchasing. They are definitely trying to bring it to Broadway. I don't know if they want the Imperial since they would have to move for "Billy Elliot" and it's a very expensive production to move.
I thought it was planning to take Circle in the Square and "Spelling Bee" which is now proscenium capable was going to take the St. James when "Producers" closed (Which seems unlikely now)...or did I just come up with that somewhere?
"And the point is not just a space but a space that would work with La Jolla's brilliantly immersive production. A traditional proscenium space is pretty much just not going to cut it."
Actually, the immersive set was designed for a traditional proscenium space. La Jolla's Mandell Weiss Theatre has a traditional proscenium. The additional seating is on the stage (patrons had to make their way backstage to get to their seats) and the "yellow brick road" extended out over either side of the proscenium into the house. I was also told that the set was originally designed for the Hirschfeld when they were going to do a direct B'way mounting of the show 5 years ago.
Last word was that there is most certainly going to be another tryout planned for the show in another city before New York. When that will happen is up in the air. But the Dodgers are not done with "The Wiz" by any means.
Mmm, Mmm, I feel sorry for the poor folk that got to pay to see this play. - The Maid from "Bullets Over Broadway."