Xanadu is kitsch, and camp, and self-critiquing kitsch-camp, a merry combo of A Funny Thing Happened on the Way to the Forum ("Calliope, come hither" "I'm already hither") and Mamma Mia!
Let me say what must be said, otherwise that subway mouse shall pursue me in my sleep.
I loved Mamma Mia! And I loved Xanadu, as did the audience, and I loved the audience for loving Xanadu.
It was like taking Ecstasy in Broadway ticket form.
Our love glinted and radiated and swirled like the reflections of the mirrored disco ball that crowned the climax of the show's pagan revels.
The belle of the ball is Kerry Butler's Kira/Clio. She is a flowing vision on roller skates, a blonde creamy confection of Olivia Newton-John, the divine Kyle Minogue, and Sarah Michelle-Gellar. She does things to vowels with her mock-Australian accent that should earn her a birdbath perch on musical-comedy Mt. Olympus. I truly, truly dug what she was doing, and I shall now pause to run a comb through my hair.
The supporting cast had it rocking, and I was tickled to see a former CBGB confederate, Annie Golden (former lead singer of The Shirts), taking a bow at the end as the audience clapped along to the finale reprise. Then we poured out into the streets, where there was a major police action near the Nasdaq HQ, at least a dozen police cars with lights flashing.
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"A little nonsense now and then is relished by the wisest men" - Willy Wonka
"Xanadu is kitsch, and camp, and self-critiquing kitsch-camp"
I love that quote.
"People have their opinions and that doesn't mean that their opinions are wrong or right. I just take it with a grain of salt because opinions are like as*holes, everyone has one".
-Felicia Finley-
Wouldn't that be great! I am hoping for super reviews. Even if it does not happen, the theater will still be filled to capacity.
"All I ask of you is one thing: please don't be cynical. I hate cynicism -- it's my least favorite quality and it doesn't lead anywhere. Nobody in life gets exactly what they thought they were going to get. But if you work really hard and you're kind, amazing things will happen."
Conan O'Brien
"People have their opinions and that doesn't mean that their opinions are wrong or right. I just take it with a grain of salt because opinions are like as*holes, everyone has one".
-Felicia Finley-
I saw the show from the stage yesterday... I will never sit in the regular seats ever again! More brilliant than the first two times I saw... if that's possible... :o)
WR: "Jeff, are you going get this game when it comes out?"
JB: "I wouldn't be able to write another musical..." ~NY ComicCon 2/8/09
WonderRobbie- I agree with you- Second Time I saw it was better !
BTW- I love your avatar !! I will get a pic pose like that too & post it here (but after July 29th for my Grey Gardens' tribute) Nope - Better! I am going to dress like a muse !
And Wolcott is no slouch. He's been writing great stuff for great publications for years....
James Wolcott (born 1952 in Baltimore, Maryland) is an American journalist, known for his critique of contemporary media. Wolcott is the cultural critic for Vanity Fair and contributes to The New Yorker. He also writes a blog.
Born in the suburbs of Baltimore, Wolcott attended Maryland's Frostburg State College for two years. From there, he moved to New York City to work at The Village Voice.
Since then, Wolcott has been a columnist on media and pop culture for publications such as Esquire, Harper's, the New York Review of Books, and New York Magazine. He was lured to Vanity Fair by the late Leo Lerman, then editor.
Wolcott wrote a novel, The Catsitters, published in 2001. In 2004, he published Attack Poodles and Other Media Mutants, a bitter critique of right-wing media in the US. In addition, he recently contributed the foreword to Geoffrey Beene's forthcoming book, Identity.
He is married to Laura Jacobs, a contributing editor of Vanity Fair.
I agree with Wolcott's comparison to "Mamma Mia"--I felt that same way with the knowing laughter and/or applause at when and how certain songs were worked into the story. The difference is that "Mamma" attempts a streamlined, coventional storyline...this one's just a loose-limbed, unpretentious goof.
And I more I think about it, the more I want to see it again--onstage please!