Critics shouldn't use the word amazing. It doesn't mean anything anymore, and surely someone whose job it is to write about the theater can come up with something more meaningful, no? I'm getting tired of "kinetic," too, which I noticed popped up in a few passages about Raul.
More PBJ’s – er, birthday gifts from the theatre critics:
“Mr. Esparza runs full speed ahead with his ambition-stoked character, tapping the full kinetic force he artfully kept under wraps in recent revivals of “Company” and “The Homecoming.” But while Charlie may be an animal in perpetual fight-or-flight mode, Mr. Esparza finds many shades and textures — of pride, humiliation, anger and resentment — within that primal instinct.” Ben Brantley, New York Times
“And Raúl Esparza, the brooding leading man of Broadway's recent remounting of "Company," makes a smashing impact in the role of a twitchy studio functionary who's waited too long for his big score.” Washington Post
“…while the always amazing Esparza is the pushy underdog, all rapid-fire action and virtuosic language.” Clive Barnes, New York Post
“Esparza ("The Homecoming," "Company"), a Broadway star who slips effortlessly between musicals and plays, gives a supercharged performance. As he prowls the stage, dragging on cigarettes and staring out at something - the pot of gold? - he nails the essence of a twitchy man so close to success he'll explode if he misses his shot.” New York Daily News
“Fox eventually goes berserk as his dreams for the traditional prison buddy picture - and the millions he will make from it - seemingly go up in smoke. Esparza does berserk well, and his scene is hilarious.” LoHud.com
And my favorite picture of all the press photos released so far:
HA, I'm so glad one of those made it out! Apparently they cut the headstanding, so I'm surprised the photo was released... since you won't actually see that when you go to the play. Which is sad, seeing as it was f-ing awesome. Potentially dangerous, but f-ing awesome.
Wonderful pictures, emcee. Thanks! It was fun to see that co-stars like McShane and Saxe, and John Hamme and Slattery, were there to support the cast members.
I loved the curtain call with the happy look between Raul and Elizabeth Moss!
I'm going back for seconds on November 19. The opening night coverage reminded me how much I seem to have missed, especially in the first scene (and I don't mean deleted headstands!).