Excerpt from Seth Rudetsky's weekly column on Playbill.com, "Onstage and Backstage":
"...on Thursday I was leaving therapy…uh, physical therapy, that is…and I ran into Raúl Esparza on the corner. It was his opening night for Speed-the-Plow, and I asked him if there was any singing in the show or at least a mega-mix at the end. He said he'd love to do a Mamet mega-mix but was nervous they'd be arrested for too much profanity. I wonder if there was one in the eighties version. It would have involved Madonna in a body mic right next to her mouth, yet lip-synching per usual, a pointed cone bra and an inappropriately used water bottle." ONSTAGE & BACKSTAGE: High on the Morrow
Hooray for the idea in the last line of the Theatermania interview! I had also thought, after seeing this production, this would make a good movie - since it is about making movies! Mamet has done screenplays, so what is he waiting for? (Ironically I can imagine production office meetings just like this play ABOUT this play, with SPEED-THE-PLOW as the Radiation book...)
Wow! The Siegels over at TalkinBroadway REALLY REALLY loved Raúl in Speed-The-Plow:
"...the current production offers Raúl Esparza giving a performance that is, in a word, sensational....you'll come out of the theater simply raving about Esparza.
We would have preferred that the vehicle that finally transformed Esparza from a solid leading man into the top ranks of Broadway actors would have been a musical. Be that as it may, we're glad to see that his electric performance in Speed-the-Plow will also speed Esparza to the point where folks write musicals and plays specifically for him. Certainly Mamet is a good fit for this actor because the playwright tends to specialize in characters that are volatile and intense, two things Esparza does extremely well. We wouldn't be surprised to see Esparza in future Mamet plays, whether they are revivals or new works. But please, somebody get Raúl in a musical!" The Siegel Column
Also the Financial Times! The last paragraph of a middling review:
The glory of this production - the reason to see it, in spite of the play's meager satisfactions - is Raul Esparza's Charlie Fox. The quick-stop timing, the biting inflections, the final fury: all are superb. Esparza is the only actor on Broadway who can succeed in Sondheim one minute, and Pinter or Mamet the next.
Oh wow, so that's really happening? Yay for Raul! Although...part of me wishes it weren't because it would mean I'd be enticed to my first horror movie in, like, 20 years, and then it will take me another 20 to fall asleep with the lights off!
Just in time for Halloween - some spooky photos! But I am like hest - if I see this, I won't be able to sleep in the dark for months, as I never go to horror movies!
Now, mother always said that whenever you hear a strange, frightening, and potentially life-threatening ghostly chant coming from the dark woods that there's one thing that you should do: Not wake the others and go investigate it alone...