DELIGHTFUL!
I was stunned that they were able to make this show surprising given that we know every iconic moment from the film. Pasek & Paul managed to milk such moments in a very "musical" way. I had SUCH a good time!! Just like I could rewatch the movie again and again, I could see the stage musical again and probably like it just the same.
The ensemble of kids have more SPUNK than those brats in ANNIE. They really made the show. EXCELLENT casting. These quirky kids highlighted the moments very well. The kid who does the solo tap dance!!!... INSANE.
Out of all the performances given, I must devote a special mention to the actor who played the father. He was such an oddball and very different from the tone of the father in the film...yet it worked and was a perfect blend with the show. A very memorable performance.
Know who else was memorable? Dan Lauria. I will forever remember how he RUINED every moment he was on stage. His timing was off EVERY. SINGLE. LINE. he had. I acknowledge that this is still a preview performance and that it was only show #8, but if those kids can nail down a performance with 10X MORE lines AND music and dance, a seasoned actor such as Lauria should have the part down better at this point. He was FANTASTIC in LOMBARDI, but there is absolutely no need to have him in this part if he isn't going to deliver. It's a tiny part, and one of a narrator, but that doesn't matter. Every time he came on stage, I groaned and wanted the story to get on with it.
Despite Lauria's distractingly bad performance, the show was still a good time and I highly recommend it!
All of the technical problems aren't really worth mentioning. The show is a limited run, and I thought the set and costumes exceeded my expectations for a show that is a limited engagement.
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle